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Click: Concert Band Conductor Score & Parts

$95.00 USD
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Click: Concert Band Conductor Score & Parts

By David Marlatt

Grade: 3.5

Item: 81-CB18354

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Description
"Click" is an original three movement work for winds and percussion. What it lacks in a colorful title, it makes up for it with driving rhythms, memorable melodies and fun parts for all players. The first movement is a flashy opener and is shifty rhythmically. The second opens with ethereal sounding support under a clarinet solo before moving into a lush chorale. The final movement is a fun, funk tune where all players can let loose.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-516-6
ISBN13: 978-1-77157-516-4
UPC: 685462025176
SKU: 81-CB18354

More about this title

About the Composer: David Marlatt

David Marlatt is a prolific composer and arranger whose work for winds and percussion spans educational and professional contexts. His compositions are known for their accessibility without sacrificing musical substance, combining engaging rhythmic language with orchestration that gives meaningful parts to all players.

Why we love this

Click delivers exactly what a Grade 3.5 band needs: a three-movement arc that holds an audience's attention while keeping all sections engaged from opener to finale. The writing is rhythmically sophisticated enough to challenge developing musicians, but the memorable melodies and balanced part-writing ensure that no one sits through long stretches of accompaniment figures.

What to expect

Click opens with kinetic energy and rhythmic swagger, pulling listeners in immediately with its unpredictable phrasing. The second movement offers emotional relief and lyricism, letting the ensemble demonstrate control and sensitivity before the finale throws open the doors for joyful, funk-driven release.

Who it's for

This score is built for developing concert bands at the secondary level who are ready to tackle ensemble cohesion and stylistic flexibility across contrasting movements. It serves directors seeking a single work that showcases musicianship, rhythmic precision, and fun in equal measure without requiring virtuosic soloists or unusual instrumentation.

How to get the most out of it

  • Shape the rhythmic language in the first movement with precision; the 'shifty' rhythms only land effectively when the ensemble locks in together, so consider isolating trouble spots by section before full ensemble rehearsals.
  • Let the clarinet solo in the second movement breathe over the ethereal support underneath. Balance is critical here, so cue your winds early and encourage restraint in the accompanimental voices.
  • Attack the final movement with confidence and groove awareness. The funk idiom requires a relaxed, swung approach to the rhythms, so model the feel you want before running full ensemble.
  • Use the conductor score to map out all three movements' tempos and meter changes in advance, particularly the transitions between movements, so ensemble entries are clean and confident.

How to use it

Program this as a centerpiece on a concert where you want to span different moods and energy levels in a single work. It pairs well alongside a classic march and a ballad, or use it as a self-contained statement of your band's range in a shorter program. The approachable difficulty makes it suitable for mid-season concert programming when the ensemble has built fundamental skills but still has room to grow interpretively.

Skills your students will build

  • Reading and executing rhythmic complexity across multiple meters within a single movement
  • Balancing independent part lines while maintaining ensemble cohesion
  • Stylistic contrast and style-specific articulation (ethereal accompaniment vs. funk groove)
  • Dynamic control and phrasing over longer melodic lines
  • Responding to clear conducting gestures through meter and tempo changes

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