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Classics for Flute & Guitar: Guitar Book

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Classics for Flute & Guitar: Guitar Book

19 Well-Known Classical Melodies, Selected for Recitals, Weddings, and Festive Occasions

Arr. Jerry Snyder

Item: 00-21977

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Description
This collection of 19 well-known classical melodies was selected especially for recitals, weddings and festive occasions. Arrangements include Bourrée and Brandenburg Concerto No. 5 by Johann Sebastian Bach, Canon in D by Johann Pachelbel, Mozart's Eine Kleine Nachtmusik, Entr'acte from "Carmen" by Georges Bizet, and more. With arrangements by master guitarist Jerry Snyder, and flute parts edited by Terry Summa, this book is the perfect companion for any celebration gathering.

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Additional Details
Series: Alfred's Distinguished Performer Series
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7390-3180-5
ISBN13: 978-0-7390-3180-3
UPC: 038081205977
SKU: 00-21977

More about this title

About the Arranger: Jerry Snyder

Jerry Snyder

Jerry Snyder is a guitarist, educator, and prolific author whose career spans performance, curriculum development, and music publishing. Over 22 years in the classroom alongside 15 years in publishing, he shaped guitar education across the country, developing one of the first class guitar methods introduced to schools in 1971. His work as Performing Arts Coordinator for the East Side Union High School District gave him a unique vantage point on what students need: accessible, engaging repertoire that opens doors to ensemble playing.

Snyder's influence extends well beyond the classroom. He has delivered more than 200 guitar workshops nationally, authored over 60 guitar publications, and continues teaching jazz, rock, and blues guitar at the college level. His versatility as a performer—evident in his 50-year tenure with the San Jose Symphony and collaborations across multiple ensembles—informs his arrangements, which balance technical clarity with genuine musicality. His work appears throughout Alfred Publishing's guitar catalog and remains a cornerstone of guitar ensemble literature.

Why we love this

These arrangements respect both the classical source material and the guitar's expressive range, capturing what makes these pieces memorable without padding them with unnecessary technical flourishes. The collection moves seamlessly between intimate baroque counterpoint and romantic melody, offering guitarists genuine variety across a single recital. Flute and guitar is an underserved duo combination in educational settings, and this book makes that pairing natural and rewarding.

What to expect

This collection spans the refined elegance of Bach and Pachelbel through the melodic warmth of Mozart and the theatrical energy of Bizet. The guitar voice changes constantly—sometimes providing delicate accompaniment, sometimes weaving independent lines in dialogue with the flute. Pieces move from intimate chamber work to pieces designed to fill a room with festive, celebratory sound.

Who it's for

Guitarists preparing duet repertoire for recitals, weddings, and celebrations who want substantial classical works without arrangements that feel either too simple or unnecessarily complex. Flute players seeking collaborative repertoire beyond standard flute-piano pairings will find natural, idiomatic writing here. This book also suits intermediate and advancing guitarists who want to develop ensemble communication skills while exploring diverse classical styles.

How to get the most out of it

  • Balance the melody line so it sings clearly over the guitar's harmonic foundation; the flute has the lead throughout, but the guitar's voicing choices matter enormously to the overall color.
  • Pay attention to the articulation and phrasing in pieces like the Bourrée, where crisp tonguing and clean releases from the guitar reinforce the baroque style.
  • Use the variety of keys and tempos across the 19 pieces to shape your program; programming three similarly-paced movements in succession fatigues both performers and listeners.
  • Lock into a shared sense of rubato early in rehearsal, especially in the slower movements where modern interpretive flexibility differs from period-instrument practice.

How to use it

Open a classical guitar recital with a Bach or Pachelbel piece to establish the duet format and era. Use contrasting pieces from this collection to build a coherent 20-30 minute program without needing multiple collaborators. For weddings and celebrations, build a set around the pieces that best match the occasion's mood, moving from classical to more romantic territory as the event progresses.

Skills your students will build

  • Reading duet scores and responding to a melodic partner's phrasing and breathing
  • Balancing melody and accompaniment across different classical styles
  • Executing baroque articulation and style in pieces like the Bourrée
  • Adapting tempo and rubato to match a flute partner's interpretive choices
  • Navigating key changes and varied rhythmic patterns across 19 distinct pieces
  • Transitioning cleanly between pieces written in different keys and tempos

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