Classical Piano Worship Cover Image

Classical Piano Worship: Early Advanced Piano Book

$6.50 USD
$6.50 USD
Skip to product information
Classical Piano Worship Cover Image
Classical Piano Worship: Early Advanced Piano Book

Classical Piano Worship: Early Advanced Piano Book

Arranged by Johnie Dean

Item: 98-FJH1548
$6.50
Shipped

One moment…

Description
This unique collection features a variety of hymns arranged as piano solos, useful for accomplished church pianists, performers, or students. The infusion of classical styles into hymn arrangements brings a new sparkle to standard hymns which may have lost some of their luster through the years of use. Likewise, the introduction of classical music into the worship milieu can infuse freshness into the liturgy. Titles include Abide with Me (in the setting of Beethoven's Pathetique Sonata No. 8); Alas, and Did My Savior Bleed (in the setting of Rachmaninoff's Rhapsody on a Theme of Paganini, 18th Variation); and a rare arrangement of Brightest and Best (in the general style of Franz Schubert).

Classical Piano Worship: Early Advanced Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: The FJH Sacred Piano Library
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-457-1
ISBN13: 978-1-56-939457-1
UPC: 674398217489
SKU: 98-FJH1548

More about this title

Why we love this

These arrangements honor both the hymn texts and the classical masters, creating something that feels neither derivative nor forced. A pianist performing Abide with Me through Beethoven's harmonic language gives congregants a fresh entry point to a familiar text, and that collision of styles is precisely what makes these work in a liturgical setting.

What to expect

Playing these arrangements feels like opening a door between two rooms. The hymn melody grounds the music in something personal and spiritual, while the classical writing provides architectural sophistication and emotional depth. There's a particular pleasure in the moment when a congregation recognizes Abide with Me emerging from Beethoven's language.

Who it's for

Church pianists seeking to expand beyond standard hymnal playing will find genuine musical substance here. Advanced students can use these pieces to explore how arrangers work with constraint (honoring a melody while channeling a specific composer's voice), and they offer a compelling alternative to standard classical solo repertoire for recitals.

How to get the most out of it

  • Study the original classical work alongside the hymn tune. Understanding Rachmaninoff's 18th Variation or the general harmonic vocabulary of Schubert informs how to voice and shape the arrangement rather than simply playing the notes as written.
  • Balance clarity of the hymn melody with the classical textures surrounding it. The arrangement's power lies in the recognition of both elements, so resist the urge to bury the tune in accompaniment figuration.
  • Pay attention to the arranger's indications for tempo and articulation. These direct the performer away from purely devotional interpretations and toward the character of the classical model.

How to use it

These work beautifully as prelude or postlude music for Sunday services, especially when the hymn text connects to the liturgy. They also fit naturally into a recital program where you're exploring the relationship between sacred melody and instrumental writing, or when you need music that speaks to both trained musicians and general audiences.

Skills your students will build

  • Reading and interpreting figured harmony in classical idioms
  • Balancing melodic clarity with complex accompaniment textures
  • Understanding the relationship between original compositions and arranged material
  • Pedaling technique for sustaining harmonic color while maintaining clarity
  • Rubato and phrasing in the classical style applied to sacred material

You May Also Like