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Classical Duets for All: Alto Saxophone (E-flat Saxes & E-flat Clarinets) Book

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Classical Duets for All Cover Image

Classical Duets for All: Alto Saxophone (E-flat Saxes & E-flat Clarinets) Book

From the Baroque to the 20th Century

Arr. William Ryden

Item: 00-EL96130

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Description
This duet collection of 17 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Allegro (Mozart) * Aria (from Rigoletto) (Verdi) * Au Clair de la Lune (Lully) * Capricho Catalan (Albeniz) * Duet (Mozart) * Duetto (Pleyel) * Echo (Haydn) * Larghetto (Telemann) * Lost is My Quiet (Purcell) * Lullaby (Brahms) * Melody (Schumann) * Minuet (Bach) * Minuet in Canon (Mozart) * Pavana (Scarlatti) * Siciliene (Aubert) * Two Adagios (Corelli) * Two Rigaudons (Rameau).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5526-4
ISBN13: 978-0-7692-5526-2
UPC: 029156271867
SKU: 00-EL96130
Instrumentation: Alto Saxophone (E-flat Saxes & E-flat Clarinets)

More about this title

Why we love this

Ryden's arrangements unlock the Classical and Baroque repertoire for E-flat pairs without oversimplifying the musical content. Each piece maintains its harmonic integrity and character while sitting comfortably on the instruments, making it genuinely rewarding to play rather than merely accessible. The flexible scoring means you can pull this book out for mixed ensembles, sectional work, or standalone recitals.

What to expect

A journey through four centuries of court music, chamber elegance, and vocal melody adapted for instruments that make these styles sing. The pieces range from intimate and lyrical to spirited and graceful, giving both players moments to shine and passages of genuine musical conversation.

Who it's for

Alto saxophone and E-flat clarinet players who want solid Classical and Baroque repertoire without searching through multiple books. Directors building flexible instrumentation programs will find this especially useful for mixed ensembles or as a bridge between beginning and intermediate literature.

How to get the most out of it

  • Balance the two parts as equal voices rather than melody and accompaniment. These pieces are genuinely polyphonic, so each player needs clarity and presence.
  • Pay attention to articulation markings as period indicators. The Baroque pieces often benefit from lighter tonguing than the Romantic selections.
  • Use the key signatures and style periods as context for phrasing choices. A Mozart Allegro needs different breathing and shaping than a Brahms Lullaby.
  • Experiment with mixing instruments within the E-flat family. The tonal blend of alto saxophone with E-flat clarinet creates a distinctly different color than doubling on the same instrument.

How to use it

Program individual pieces on mixed recitals or chamber concerts where instrumentation varies. Use selections as warm-up material that builds style awareness without requiring separate rehearsal folders. Consider pairing contrasting pieces (a Bach Minuet with a Verdi aria, for example) to showcase the range of the collection.

Skills your students will build

  • Playing in authentic Baroque, Classical, and Romantic styles
  • Balancing two independent melodic lines with equal importance
  • Reading across multiple harmonic contexts without doubling a bass line
  • Adjusting articulation and phrasing based on historical period and texture
  • Ensemble listening and blend within the E-flat family

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