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Classic Rock Instrumental Solos for Strings: Violin Book & Online Audio/Software

$14.99 USD
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Classic Rock Instrumental Solos for Strings Cover Image

Classic Rock Instrumental Solos for Strings: Violin Book & Online Audio/Software

Arr. various, ed. Bill Galliford

Level: 2--3

Item: 00-37406

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Description
This book is part of an instrumental series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2--3 player, as well as a fully orchestrated accompaniment recording. The recording includes a DEMO track of each song, which features a live instrumental performance, followed by a PLAY-ALONG track. Also included is Alfred's tempo-changing software for practice. Titles: 25 or 6 to 4 * Don't Stop Believin' * Gimmie Some Lovin' * Go Your Own Way * Hotel California * In the Midnight Hour * Open Arms * Roundabout * (I Can't Get No) Satisfaction * Spirit in the Sky * Stairway to Heaven * Sunshine of Your Love.
"As most musicians can attest, sometimes sheet music can oversimplify a familiar song, rendering it hard on the ears. However, Alfred Music has done a tremendous job arranging these pieces."
--Blogcritics.org

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Additional Details
Series: Pop Instrumental Solo Series
Publisher: Alfred Music
Page Count: 84
ISBN10: 0-7390-7999-9
ISBN13: 978-0-7390-7999-7
UPC: 038081419138
SKU: 00-37406
Instrumentation: Violin

More about this title

Why we love this

These arrangements prove that rock songs work beautifully on strings when they're written with care and respect for the original. The demo-then-play-along format means students hear exactly how their part should sound in context, eliminating the guesswork that often derails young players tackling familiar material. Having viola and cello books available means you can build chamber ensembles from the same repertoire or showcase individual soloists within a richer accompaniment texture.

What to expect

Iconic hooks and energy translated into idiomatic string writing that feels natural rather than forced. You get the recognizable power of 'Don't Stop Believin'' or 'Hotel California' without the sense that you're playing a novelty arrangement.

Who it's for

Intermediate violinists who love rock and need repertoire that matches their enthusiasm more than standard classical solos. This works equally well for solo recital preparation, chamber ensemble building, or motivating a string student through a practice plateau with music they actually want to play.

How to get the most out of it

  • Study the demo track first without looking at the music. Let your ear absorb the phrasing, dynamics, and character before you worry about reading accuracy.
  • Use the tempo-changing software to slow down technically demanding passages (think the opening of 'Stairway to Heaven') without sacrificing the integrity of the arrangement.
  • Pay attention to how these songs sit on the violin's natural voice. Passages that feel awkward on paper often sing beautifully once you discover where the natural string position lies.
  • If ensemble playing is your goal, the accompaniment track is mixed to support without drowning out the solo voice. Trust that balance.

How to use it

These solos shine in a mixed concert where you want to show off your string students' versatility and draw in audiences who wouldn't normally attend a classical recital. Pairing a rock solo with a baroque piece or contemporary classical work demonstrates range and keeps listeners engaged. The ensemble-compatible writing also makes these valuable for a chamber program finale or special showcase.

Skills your students will build

  • Phrasing and stylistic interpretation in a non-classical idiom
  • Rhythmic precision in syncopated and groove-based passages
  • Tone control across dynamic ranges typical of rock production
  • Reading fluency in straightforward, singable melodic lines
  • Ensemble listening when combining with viola and cello parts

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