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Classic Rock Instrumental Solos: Tenor Sax Book & CD

$10.99 USD
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Classic Rock Instrumental Solos Cover Image

Classic Rock Instrumental Solos: Tenor Sax Book & CD

Arr. various, ed. Bill Galliford

Level: 2-3

Item: 00-37391

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Description
This book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2--3 player, as well as a fully orchestrated accompaniment CD. The CD includes a DEMO track of each song, which features a live instrumental performance, followed by a PLAY-ALONG track. Titles: 25 or 6 to 4 * Don't Stop Believin' * Gimmie Some Lovin' * Go Your Own Way * Hotel California * In the Midnight Hour * Open Arms * Roundabout * (I Can't Get No) Satisfaction * Spirit in the Sky * Stairway to Heaven * Sunshine of Your Love.
"As most musicians can attest, sometimes sheet music can oversimplify a familiar song, rendering it hard on the ears. However, Alfred Music has done a tremendous job arranging these pieces."
--Blogcritics.org

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Additional Details
Series: Pop Instrumental Solo Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-7994-8
ISBN13: 978-0-7390-7994-2
UPC: 038081419084
SKU: 00-37391
Instrumentation: Tenor Sax

More about this title

Why we love this

These arrangements strike the rare balance between honoring the original recordings and staying genuinely playable at Level 2-3, which means your students hear themselves playing actual rock songs, not simplified versions that sound nothing like the source. The demo and play-along tracks give players a model to follow and a high-quality accompaniment that makes even a single tenor saxophonist sound like they're part of a full band.

What to expect

Stepping into these arrangements feels like joining the band on stage. The orchestrated accompaniment doesn't shrink or condescend to the level; it settles into a groove and lets you carry the melody with authority. From the opening of "Don't Stop Believin'" through the layered harmony of "Stairway to Heaven," each song has been respectfully scaled without losing the character that made it iconic.

Who it's for

Tenor saxophonists at the early intermediate stage who are ready to play recognizable rock repertoire in a setting that supports their development. This collection works equally well for a student practicing alone with accompaniment or as part of a mixed instrumental ensemble where multiple parts from the series combine.

How to get the most out of it

  • Study the demo track first to absorb the phrasing and articulation choices of the original recording; this gives you reference points for tone color and rhythmic feel that sheet music alone cannot convey.
  • Lock into the groove of the play-along track early in rehearsal, paying special attention to the pocket of the rhythm section rather than rushing ahead of the beat.
  • Bring dynamic shape to each phrase even when the part looks straightforward; these classic rock songs rely on contrast between verses and choruses, so use it.
  • Balance your tone when playing melody lines; these are songs people know intimately, so clarity and warmth matter more than volume.

How to use it

These pieces work beautifully as solo recital material for students building confidence in front of an audience, or you can assign different solos to different ensemble members within a rehearsal to create a cohesive rock-focused concert set. They also serve as natural transition material for students moving from method books into genuine repertoire performance.

Skills your students will build

  • Rock and pop phrasing conventions (swing feel, articulation choices, dynamic contours)
  • Ensemble listening and blend when combined with other instrumental solos from the series
  • Interpretation of familiar melodies and how arrangement choices shape musical meaning
  • Sight-reading in straightforward keys with standard rock rhythmic patterns
  • Confidence performing with recorded accompaniment in a non-classical genre

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