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Classic Period Dramas: Piano Book

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Classic Period Dramas: Piano Book

14 Evocative Solo Piano Pieces from Classic Feature Films, Such As Pride & Prejudice, Becoming Jane, Emma, and Brideshead Revisited

Level: Intermediate

Item: 12-0571533221

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Description
Sumptuous settings, elaborate costumes and romance; the period drama is a feast for the senses. Capture the spirit of Austen and Hardy's England with these 14 evocative solos from classic literary adaptations. Featuring music by Carl Davis, Jeremy Sams and Adrian Johnston alongside Mozart, Clementi and Beethoven, carefully arranged for the intermediate pianist.

Includes:
'End Titles' from Emma * 'Main Theme' from Pride and Prejudice * 'Andante Favori WoO 57 (excerpt)' from Pride and Prejudice * 'An Adoring Heart' from Cranford * 'Sebastian' from Brideshead Revisited * 'The Beginning of the Partnership' from Shakespeare in Love * 'Main Theme' from Middlemarch and more.

"If you love this era of movie music, there is much to enjoy among these intermediate level pieces."
- Progressions magazine

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53322-1
ISBN13: 978-0-571-53322-0
UPC: 9780571533220
SKU: 12-0571533221

More about this title

Why we love this

The collection pulls from two distinct worlds seamlessly: contemporary film composers (Davis, Sams, Johnston) who understand how to write singable, character-driven melodies sit alongside Classical masters whose work translates beautifully to the screen. You get authentic period drama atmosphere without sacrificing the musicianship that makes intermediate repertoire genuinely rewarding to teach.

What to expect

Elegant restraint mixed with emotional depth. You'll find yourself drawing on Romantic-era sensibilities (warmth, rubato, expressive melody) while staying grounded in Classical clarity and form. The overall effect is cinematic but intimate, grand but never overwrought.

Who it's for

Intermediate pianists who gravitate toward lyrical, narrative-driven music rather than technical display. This book works beautifully for students preparing recital programs or for teachers building units around literature, film, and musical adaptation.

How to get the most out of it

  • Balance the Romantic-era harmonies against the straightforward melodic lines; these arrangements ask you to play through lush chords without let them cloud the tune.
  • Study the film versions if possible. Knowing the dramatic context transforms how you shape phrasing and tempo fluctuations in pieces like 'An Adoring Heart' or 'Sebastian.'
  • Layer the dynamics thoughtfully. These settings are orchestral in nature, so light pedaling and textural variety between sections prevent the pieces from sounding thick or muddy.

How to use it

Pair these pieces with a literature or humanities unit; students researching Austen or Hardy gain immediate context for the music they're learning. Alternatively, program selections from this book as preludes or interludes in a chamber concert where strings or woodwinds perform their own repertoire.

Skills your students will build

  • Interpreting Romantic-era harmonic progressions and voice leading
  • Shaping lyrical melodies over sustained accompaniment textures
  • Managing pedal control in arrangements with rich harmonic content
  • Connecting musical phrasing to narrative and dramatic intention
  • Reading and executing composers' stylistic markings across different musical periods

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