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Classic Opera: String Duo & Ensemble, Trio

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Classic Opera: String Duo & Ensemble, Trio

By Carole Neuen-Rabinowitz

Grade: 3.5

Item: 36-52702515

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Description
Carole Neuen-Rabinowitz has selected some of the most memorable tunes from the operatic repertoire in this collection for string trio. Written at an advanced intermediate level, good high school players and professionals alike will enjoy these classics. Included: 1. Intermezzo Sinfonico from Cavalleria Rusticana (Mascagni), 2. Entr’acte from Carmen (Bizet), 3. Ah, Fuggi il Traditor! from Don Giovanni (Mozart), 4. Deh Vieni, Non Tardar from The Marriage of Figaro (Mozart), 5. Libiamo from La Traviata (Verdi), 6. Vin O Biere from Faust (Gounod), 7. Quando M’en Vo Soletta per la Via from La Bohème (Puccini). A version for string quartet is also available from the publisher.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876957-2
ISBN13: 978-1-62-876957-9
UPC: 676737628888
SKU: 36-52702515
Instrumentation: Detailed Instrumentation: Violin 1, Violin 2 /Viola and Cello

More about this title

About the Composer: Carole Neuen-Rabinowitz

Carole Neuen-Rabinowitz brings decades of string arranging experience to music education. Her arrangements balance accessibility with musical integrity, making canonical repertoire available to students who might otherwise encounter these works only in recordings.

Why we love this

Neuen-Rabinowitz has done the hard work of distilling seven operatic masterpieces down to their most singable, memorable melodies and fitting them into a format that actually works for student ensembles. The arrangements respect the integrity of the originals while keeping the technical demands reasonable enough that the music feels achievable rather than stretched.

What to expect

Elegant and direct. These seven pieces move through some of opera's most beloved moments without pretension. You get the soaring lyricism of Puccini, the rhythmic vitality of Bizet, and the clear-eyed beauty of Mozart, all arranged so that the music stays front and center.

Who it's for

Advanced intermediate string players, particularly high school ensembles with solid intonation and rhythmic control. This collection also works beautifully for community orchestras or professional chamber groups looking for accessible, rewarding repertoire with instant audience recognition.

How to get the most out of it

  • Balance the parts so that whoever carries the primary melody (often Violin 1) can project without drowning out the inner voices. These are operatic tunes; they need room to breathe and sing.
  • Pay attention to where the arrangement mirrors the dramatic intent of the original score. The Entr'acte from Carmen, for instance, captures the orchestral color and pulse of the full opera version in miniature.
  • Approach phrasing like a singer would. Even though you're working with instrumental parts, these melodies come from arias and orchestral interludes designed to convey text and emotion.

How to use it

Consider pairing this collection with a shorter concert program focused on operatic overtures and orchestral selections. A single movement works as a charming standalone piece, or program several together to create a light-hearted opera-highlights concert that connects with audiences beyond the usual string repertoire base.

Skills your students will build

  • Executing lyrical, singing phrase shapes across multiple phrases
  • Balancing inner harmonic parts with stronger melodic lines
  • Responding to dramatic shifts in character across contrasting pieces
  • Maintaining consistent tone while navigating multiple key areas within a single suite

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