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Classic Festival Solos (Snare Drum), Volume 1 Piano Acc.: Snare Drum Book

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Classic Festival Solos (Snare Drum), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Snare Drum), Volume 1 Piano Acc.: Snare Drum Book

Item: 00-EL03751

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Snare Drum, Volume I contains 13 different solos for snare drum and piano accompaniment, many of which are contest standards. Contains: Battle Hymn of the Republic (Steffe, arr. Feldstein) * Circling (Feldstein) * Dress Parade (Sousa, arr. Hoey) * Hum Drum (Barnett) * March for a Different Drummer (Barnett) * The New Military (Feldstein) * One and Two (Feldstein) * Picking Up Six (Feldstein) * Poppycock (Barnett) * Rhythm Of the Bells (Hoey) * That's Enough (Masoner) * Up Beat Pete's Suite (Barnett) * Whodunit? (Barnett).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-1785-0
ISBN13: 978-0-7692-1785-7
UPC: 029156161007
SKU: 00-EL03751
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection hits the sweet spot between accessibility and musical substance. Many of these solos appear on state contest lists, so your students get genuine performance experience on repertoire they may encounter in competition. The mix of styles and composers keeps the book fresh across 13 solos, so advancing drummers won't plateau on repetitive material.

What to expect

These pieces range from march-influenced energy to rhythmic playfulness, with enough stylistic variety to keep both performer and listener engaged. You'll encounter the ceremonial weight of Sousa, the whimsical character writing of Barnett, and the athletic precision that Feldstein's original compositions demand.

Who it's for

Advancing snare drummers who have solid fundamentals and are ready for contest-level material. This book serves students preparing for solo competitions or recitals, as well as those building a solo repertoire for chair placements and auditions.

How to get the most out of it

  • Balance dynamic control with rhythmic precision. The varied tempos and styles demand that you adjust your grip and stick weight for each piece, not just crank the volume.
  • Use the piano accompaniment as a rhythmic anchor, not a safety net. Listen actively for harmonic context and let it inform your phrasing choices.
  • Work through the easier pieces first to build confidence with the book's notation and style conventions before tackling the more complex solos.
  • Record yourself regularly. Many of these pieces rely on clean single and double strokes at tempo; playback reveals sticking clarity and consistency issues that feel fine in real time.

How to use it

Assign solos from this book as students work through advancing levels in your percussion studio or section. The contest-standard pieces make excellent choices for winter or spring recitals, and pulling selections from different composers gives your concert program rhythmic and stylistic contrast without requiring separate books.

Skills your students will build

  • Single and double stroke control at varied tempos
  • Dynamic shaping and contrast within a single percussion line
  • Listening to and responding to harmonic and rhythmic context in accompaniment
  • Stylistic interpretation across march, character, and original idioms
  • Reading and executing snare drum notation across different composers and periods
  • Concert-level tempo and precision demands

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