Classic Festival Solos (Oboe), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Oboe), Volume 1 Piano Acc.: Piano Acc. Book

$8.99 USD
Sale price  $8.99 USD Regular price 
Skip to product information
Classic Festival Solos (Oboe), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Oboe), Volume 1 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03723

$8.99
Shipped

One moment…

Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Alma del Core (Caldara, arr. Cacavas) * Bourree (Handel) * Caprice (Edlefsen) * Evening Shadows (Weber) * Folk Songs from Grieg (Greig, arr. Erickson) * Grand March (Verdi, arr. Clemens) * Kemp's Jig (Anonymous, arr. Dishinger) * Menuet (Bach, arr. Clemens) * Minatures for Oboe and Piano (Faith) * Seguidilla (Bizet, arr. Mayer) * Sentimental lady (Weber) * Song of India (Rimsky-Korsakov, arr. Edlefsen).

Classic Festival Solos (Oboe), Volume 1 Piano Acc.: Piano Acc. Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-5487-X
ISBN13: 978-0-7692-5487-6
UPC: 029156165784
SKU: 00-EL03723
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection assembles repertoire that actually appears on festival and contest lists, so your students aren't preparing for an imaginary standard. The range of styles (Baroque dances, character pieces, folk arrangements, and operatic excerpts) gives oboe students genuine variety without sacrificing musical substance, and the grading keeps advancing players engaged across multiple rehearsal cycles.

What to expect

A curated sampler of musical literature across centuries and styles, from the refined courtliness of Bach and Handel to the Romantic lyricism of Weber and the exotic color of Rimsky-Korsakov. Each piece offers its own mood and technical character, creating a program that feels both substantial and varied.

Who it's for

Oboe students in the intermediate to early advanced stages who are preparing for festival performance or contest entry. This accompaniment book pairs with the corresponding oboe solo book and serves rehearsal work where a live or recorded pianist is essential.

How to get the most out of it

  • Balance your phrasing with the piano part rather than over-projecting. These arrangements give the accompaniment real melodic and harmonic responsibility, so listen carefully to how the piano frames each line.
  • Pay attention to the articulation in works like the Bourree and Kemp's Jig. The character of Baroque and folk pieces depends on crisp, defined tonguing rather than legato defaults.
  • In the lyrical pieces (Sentimental Lady, Evening Shadows), use the piano's harmonic movement to shape your breath phrases. Let the accompaniment's cadences guide your line rather than imposing a predetermined shape.

How to use it

Select one or two solos from this collection for a winter or spring recital, letting you program both a lyrical showpiece and a character piece on the same program. Alternatively, stagger solos across multiple performance contexts throughout the year, using festival-listed pieces as your primary focus and reserving the character arrangements for informal recitals or studio showcases.

Skills your students will build

  • Baroque articulation and phrasing conventions (Handel, Bach)
  • Legit tone production and long-line shaping in Romantic repertoire (Weber, Rimsky-Korsakov)
  • Dance rhythms and stylistic clarity in folk and traditional arrangements (Grieg, Anonymous)
  • Collaboration with keyboard accompaniment and response to harmonic changes
  • Control of ornamental figures and technical passages across multiple composers

You May Also Like