Classic Festival Solos (Mallet Percussion), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Mallet Percussion), Volume 1 Piano Acc.: Mallet Instrument Book

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Classic Festival Solos (Mallet Percussion), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Mallet Percussion), Volume 1 Piano Acc.: Mallet Instrument Book

Ed. Jack Lamb

Item: 00-EL03749

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Barcarolle (Offenbach, arr. Erickson) * Battle Hymn of the Republic (Steffe, arr. Feldstein) * The Devil Made Me Do It (Irish Hornpipe, arr. Barnett) * Frolics (Von Wilm, arr. Erickson) * Marching Bells (arr. Erickson) * Onward Christian Soldiers (arr. Dreves) * Preludio (Cacavas) * Scrumpy (Barnett) * Sea Sounds (Feldstein) * Song Without Words (Tchaikovsky, arr. Cacavas) * Starlight (Morse, arr. Ostling) * Swiss Chocolate (Barnett) * Towering Tones (Dreves) * A Walk Through Kalamazoo (Barnett).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-5765-8
ISBN13: 978-0-7692-5765-5
UPC: 029156220261
SKU: 00-EL03749
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection brings together solos that actually appear on festival and contest lists, so your students know they're preparing material with real stakes. The range of styles and difficulty levels means advancing percussionists can find something suited to their current technical level while still building toward the more demanding pieces.

What to expect

From the lilting rhythms of an Irish hornpipe to the lyrical sweetness of a Tchaikovsky arrangement, these solos span emotional terrain. You'll find pieces that sparkle with character and humor alongside those that demand genuine musicality and control.

Who it's for

Advancing mallet percussionists preparing for contests or recitals will find a curated set of solos that challenge technique while remaining musically rewarding. Students at the intermediate-to-advanced level benefit from the variety of styles and the proven track record of these pieces on festival programs.

How to get the most out of it

  • Balance your dynamic control across the range of the instrument; pieces like Sea Sounds demand sensitivity to subtle color changes that distinguish good playing from excellent playing.
  • Study the historical context of each arrangement. Whether you're tackling an Offenbach barcarolle or an Irish hornpipe, understanding the original idiom helps you shape phrasing that honors the source material.
  • Work through the piano accompaniment part early, even if you're practicing alone with recordings later. The harmonic language and rhythmic support will clarify what the solo line is meant to express.

How to use it

Build a solo recital or contest program by pairing contrasting pieces from this collection; a spirited hornpipe followed by a song without words creates the kind of variety that holds audience attention. Many of these solos work equally well as standalone pieces in a chamber setting or as part of a larger concert program highlighting percussion.

Skills your students will build

  • Reading multiple articulation styles across different genres and time periods
  • Balancing tone production across the full range of the mallet instrument
  • Phrasing and expression techniques that honor both classical and folk idioms
  • Rhythmic precision required for contest-level performance
  • Coordination with piano accompaniment and response to harmonic support

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