Classic Festival Solos (E-flat Baritone Saxophone), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (E-flat Baritone Saxophone), Volume 2 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (E-flat Baritone Saxophone), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (E-flat Baritone Saxophone), Volume 2 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03886

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Andantino (Coggins) * Aria (Mozart, arr. Rascher) * Baritone Byline (Rousseau) * Browsing Baritone (Rousseau) * Dance (Paganini, arr. Rousseau) * The Elephant (Saint-Saens, arr. Coggins) * Grave and Allegro (Marcello, arr. Coggins) * The Happy Farmer (Schumann, arr. Rousseau) * Hornpipe (Handel, arr. Rascher) * If Thou Be Near (Bach, arr. Rascher) * Nina (Pergolese, arr. Rousseau) * An Old Hymn (Herman, arr. Rascher) * Romp (Lamb, arr. Rascher) * Rondeau from the Fairie Queen (Purcell, arr. Rascher/Hunt) * Walzer (Grieg, arr. Rascher).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-5563-9
ISBN13: 978-0-7692-5563-7
UPC: 029156078404
SKU: 00-EL03886
Instrumentation: Piano Acc.

More about this title

About the Creator

Classic Festival Solos has been a cornerstone of instrumental music education for decades, offering advancing students carefully curated repertoire that balances accessibility with artistic depth. The series draws on arrangements by respected pedagogues and performers including Sigurd Rascher, a legendary saxophonist whose transcriptions preserve the lyrical character of original works while accommodating the specific voice of each instrument.

Why we love this

This collection balances accessibility with genuine artistry by pairing recognizable classical and Baroque works alongside original compositions written specifically for young saxophonists. The variety of styles and difficulty levels means you can assign solos strategically throughout the year, matching each student's development while keeping festival preparation fresh and engaging.

What to expect

Moving through these pages feels like walking through a gallery of musical eras. The arrangement choices honor the character of each original work while adapting them thoughtfully for your instrument, so Bach sounds like Bach, Mozart like Mozart, but always with idiomatic saxophone writing underneath.

Who it's for

This book serves advancing baritone saxophonists preparing for solo competitions, festival events, or recital performance. It works equally well for private lesson instruction and ensemble-based solo study, offering material graded to match intermediate-to-early-advanced players.

How to get the most out of it

  • Use the piano accompaniment to establish harmonic context and stylistic phrasing; many of these arrangements benefit from a collaborative rehearsal approach where pianist and saxophonist develop interpretive choices together.
  • Work through the easier pieces first to build confidence with the collection's overall aesthetic, then tackle the more demanding selections as technical facility grows.
  • Pay close attention to the arrangement credits (Rascher, Rousseau, Coggins); each arranger has distinct approaches to voice leading and texture that reward study.

How to use it

Use individual selections as solo features in concert programs, pairing pieces strategically by style or era for thematic programming. The contest-ready status of many works makes this book an essential resource for students targeting state festival participation or preparing solo portfolios.

Skills your students will build

  • Phrasing across a range of Baroque, Classical, and Romantic styles
  • Stylistic interpretation and articulation choices specific to each historical period
  • Sustained tone control and dynamic shaping in expressive passages
  • Sight-reading and technical fluency across moderate difficulty levels
  • Collaborative musicianship with pianist accompanists

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