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Classic Festival Solos (E-flat Baritone Saxophone), Volume 1 Solo Book: Saxophone Book

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Classic Festival Solos (E-flat Baritone Saxophone), Volume 1 Solo Book Cover Image

Classic Festival Solos (E-flat Baritone Saxophone), Volume 1 Solo Book: Saxophone Book

Ed. Jack Lamb

Item: 00-EL03736

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Andantino (Sor, arr. Dishinger) * Canzonetta (Girlamo, arr. Coggins) * Flow Gently, Sweet Afton (arr. Rascher) * Gently the Moon Has Risen (Claudius, arr. Rascher) * Happy Valley (Leonard) * Introduction and Theme (Paganini, arr. Leonard) * Largo (Handel, arr. Rousseau) * Little March (Schulz, arr. Rascher) * Little Waltz (Coggins) * Non Piu Andrai (Mozart, arr. Foster) * Panis Angelicus (Franck, arr. Leonard) * Rocking Carol (Czech Carol, arr. Rousseau) * Shenandoah (arr. Foster) * Vivace (Telemann, arr. Coggins). This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Classic Festival Solos (E-flat Baritone Saxophone), Volume 1 Solo Book: Saxophone Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-1771-0
ISBN13: 978-0-7692-1771-0
UPC: 029156152029
SKU: 00-EL03736

More about this title

Why we love this

This collection hits the sweet spot for advancing saxophonists who need solo material that actually appears on festival and contest lists. The mix of styles (marches, waltzes, art songs, and classical arrangements) keeps students engaged across multiple practice sessions without feeling like a textbook run through musical history.

What to expect

You'll move from the gentle introspection of Andantino to the lilting charm of Little Waltz, then shift into the stately dignity of Panis Angelicus and the robust energy of Introduction and Theme. The collection captures the breadth of concert repertoire without asking for advanced technical demands, letting musicality shine through.

Who it's for

Advancing baritone saxophonists preparing for solo festivals, competitions, or recitals will find this book essential. It suits players who have moved beyond beginner materials and need accessible yet substantial solos that meet state and regional contest requirements.

How to get the most out of it

  • Study the arranger's voicing choices in the Handel and Mozart selections; they reveal how classical melodic lines translate effectively to saxophone ranges and tone.
  • Use rubato thoughtfully in the slower arrangements (Andantino, Largo, Gently the Moon Has Risen) to bring out the lyrical character without losing structural clarity.
  • Balance technical facility with musicality in the more rhythmically active pieces like Little March and Vivace; speed serves the style, not the reverse.
  • Listen to multiple recordings of the original compositions before settling on your interpretation of the arrangements, especially for pieces by Mozart and Telemann.

How to use it

Build a festival program by pairing contrasting selections from this book; opening with Shenandoah or Rocking Carol sets a warm tone, middle with something classical like Largo or Non Piu Andrai, and closing with a showier piece such as Introduction and Theme. The range of styles also makes this ideal for solo demonstrations across an entire school year, with each piece supporting different performance contexts from chamber concerts to formal competitions.

Skills your students will build

  • Playing sustained lyrical lines with consistent tone and phrasing
  • Interpreting arranged classical material with stylistic awareness
  • Building technical confidence in moderate-tempo passages
  • Preparing contest-ready solos with polished ensemble-appropriate dynamics
  • Reading and performing multiple musical styles within a single practice session

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