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Classic Festival Solos (E-flat Alto Saxophone), Volume 2 Solo Book: Saxophone Book

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Classic Festival Solos (E-flat Alto Saxophone), Volume 2 Solo Book Cover Image

Classic Festival Solos (E-flat Alto Saxophone), Volume 2 Solo Book: Saxophone Book

Ed. Jack Lamb

Item: 00-EL03881

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Advance of the Alto (Rousseau) * Arioso (Bach, arr. Rousseau) * Ave Verum Corpus (Mozart, arr. Rascher) * Ballade (Gee) * Calm as the Night (Bohm, Rousseau) * Contempora Suite (Young) * Matador (Girlamo, arr. Coggins) * The Oxen Minuet (Haydn, arr. Rascher) * Reminiscience (Walker) * Sax Ripple (Burgstahler) * Saxography (Luebke) * Tambourin (Gluck, arr. Rascher) * Traumerei (Schumann, arr. Rascher). A Federation Festivals 2020-2024 selection. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Classic Festival Solos (E-flat Alto Saxophone), Volume 2 Solo Book: Saxophone Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5559-0
ISBN13: 978-0-7692-5559-0
UPC: 029156078350
SKU: 00-EL03881

More about this title

Why we love this

This collection hits the sweet spot for advancing alto saxophonists: the repertoire is thoughtfully curated across difficulty levels so students can build confidence within a single book, and the inclusion of works from state festival lists means you're preparing students for actual performance contexts they'll encounter. The mix of baroque arrangements, classical miniatures, and contemporary character pieces keeps rehearsals fresh while developing genuine musicianship rather than just technique.

What to expect

The collection moves between intimate, reflective moments (Arioso, Ave Verum Corpus, Träumerei) and vibrant character pieces that let the alto saxophone shine with its warm, rounded tone. The variety prevents listener fatigue and keeps performers engaged by constantly shifting musical terrain.

Who it's for

Advancing alto saxophone students preparing for festival performances, solo recitals, or competitions. This book serves ensemble directors seeking graded solo material for their program as well as private instructors building a student's solo repertoire across multiple musical periods and styles.

How to get the most out of it

  • Treat the Bach and Mozart arrangements as your foundation pieces. Their clarity of phrase and predictable harmonic language reward focus on tone quality and legit phrasing before tackling the more rhythmically active selections.
  • The contemporary works (Contempora Suite, Sax Ripple, Saxography) reward students who listen closely to saxophone recordings. These pieces sit comfortably in the instrument's range and let players discover what the alto does best tonally.
  • Balance articulation clarity in the faster passages (Matador, Tambourin) with the singing quality needed for the lyrical pieces. Mark your breath points early so phrasing feels intentional, not accidental.

How to use it

Use this as your primary source for seating auditions or solo performance requirements. Students at this level benefit from having multiple pieces prepared simultaneously, so assigning two or three selections from this book gives them genuine choice in what they'll perform while keeping the rehearsal burden manageable. The festival-selection status also means these pieces are recognized at regional competitions.

Skills your students will build

  • Sight-reading across multiple classical and contemporary styles
  • Phrasing in slow, lyrical passages with attention to tone color
  • Rhythmic precision in character pieces with varied articulation demands
  • Interpretation of baroque ornamentation (trills, grace notes) through arrangement
  • Performance stamina across a 16-page solo collection

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