Classic Festival Solos (E-flat Alto Saxophone), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (E-flat Alto Saxophone), Volume 1 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (E-flat Alto Saxophone), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (E-flat Alto Saxophone), Volume 1 Piano Acc.: Piano Acc. Book

Item: 00-EL03733

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Alman (Morley, arr. Dishinger) * Aria and Scherzo (Fox) * Bourree (Handel, arr. Dishinger) * The Caballero (Burgstahler) * Canzone Barcarola (Drigo) * From Heaven High (Praetorius, arr. Rascher) * Impressions of Summer (Gallaher) * Kemp's Jig (Anonymous, arr. Dishinger) * Minuet (Bach, arr. Rascher) * Poco Waltz (Lotzenhiser) * Rigaudon (Purcell, arr. Dishinger) * Rondeau (Couperin, arr. Dishinger) * Village Dance (Rossini, arr. Rascher) * Winter Rhapsody (Foster).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7692-5767-4
ISBN13: 978-0-7692-5767-9
UPC: 029156133837
SKU: 00-EL03733
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection solves a real scheduling problem: you need contest-ready solos that don't require hunting through a dozen different books. The mix of Baroque arrangements (Purcell, Couperin, Bach) alongside character pieces (Impressions of Summer, Winter Rhapsody) means your students encounter genuine stylistic variety within one volume, making it ideal for preparing multiple students for festival competitions without repertoire overlap.

What to expect

A journey across centuries of instrumental music, from stately Renaissance dances to 19th-century character pieces. The collection balances the formal elegance of Baroque form with the lyrical expressiveness of later styles, offering contrasting moods across fourteen solos.

Who it's for

Alto saxophonists preparing for solo competition or festival performance, from intermediate through early advanced levels. Teachers building a contest-ready repertoire library for students of varying abilities will find solos at multiple difficulty levels within this single volume.

How to get the most out of it

  • Balance the ornamentation in the Baroque pieces (Rondeau, Rigaudon, Bourree) with your accompaniist; these arrangements benefit from subtle articulation that lets the harpsichord-influenced piano line breathe.
  • Approach the character pieces (Winter Rhapsody, Impressions of Summer) by identifying the emotional arc first, then letting the technical demands serve that narrative rather than the reverse.
  • In the minuets and dances, anchor your phrasing to the piano's harmonic progression rather than rushing through fast scalar passages; the accompaniment provides natural phrase endpoints.

How to use it

Assign solos from this book as primary contest selections for your jazz or concert ensemble members in preparation for state or regional festivals. The breadth of styles also makes it useful in a year-long solo curriculum, rotating through different arrangements and character pieces across semester performances.

Skills your students will build

  • Baroque articulation and ornamentation practice (trills, turns, mordents) in stylistically authentic contexts
  • Phrasing across different musical periods and compositional styles
  • Rhythmic accuracy in dance forms (Jig, Waltz, Rigaudon)
  • Expressive interpretation of character pieces with contrasting tempos and moods
  • Ensemble listening skills through sustained practice with piano accompaniment

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