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Classic Festival Solos (C Flute), Volume 2 Solo Book: Flute Book

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Classic Festival Solos (C Flute), Volume 2 Solo Book Cover Image

Classic Festival Solos (C Flute), Volume 2 Solo Book: Flute Book

Item: 00-EL03869

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Adagio (Mozart, arr. Lentz) * Aries (Lewallen) * Canto Lyric (Bolz) * Elf Interludes (Haan) * Hungarian Dance No. 6 (Brahms, arr. Steenland) * Intermezzo (Mascagni, arr. Guenther) * Offenbach Ballet (arr. Steenland) * Parade (Billingsly, arr. Hahn) * Poeme Petite (Lewallen) * Taurus (Lewallen) * Waltz (Tchaikovsky, arr. Guenther).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5524-8
ISBN13: 978-0-7692-5524-8
UPC: 029156218497
SKU: 00-EL03869

More about this title

Why we love this

This collection bridges the gap between early repertoire and more sophisticated solo literature by pairing familiar masterworks with fresh contemporary pieces, all graded strategically so students build confidence without hitting a wall. The variety of styles and arrangements keeps advancing flute students engaged across rehearsal cycles, and the inclusion of contest-list staples makes it essential prep for festival season.

What to expect

A curated concert season in one book. You move from the contemplative elegance of Mozart through the dance energy of Brahms and Tchaikovsky, landing on contemporary works that feel accessible without sacrificing musicality. Each piece gives you room to breathe and express yourself.

Who it's for

Advancing flute students preparing for contests or solo recitals who need graded repertoire that moves beyond method books into real concert literature. Teachers managing mixed-ability lesson studios will find selections here that match intermediate students ready to perform complete pieces in a single sitting.

How to get the most out of it

  • Balance lyrical phrasing with technical clarity in the Adagio and Canto Lyric; these pieces reward a singing tone and careful attention to line shape over rushing through passages.
  • Use the character contrasts between pieces to explore different articulation approaches: crisp staccato for Parade, legato warmth for Intermezzo, and rhythmic precision for Hungarian Dance No. 6.
  • Slow down the Offenbach Ballet and Waltz arrangements to nail intonation and style; the borrowed accompaniments are written for dance tempos that can mask tuning issues in performance.
  • Mark the dynamic shapes clearly in Elf Interludes and the Lewallen pieces before rehearsing; these works rely on nuanced dynamic contrast to sound polished.

How to use it

Build a flute studio recital around contrasting selections from this book; pair a Lewallen original with a ballet arrangement and a nineteenth-century classic to create variety and narrative arc. Individual pieces work perfectly as contest entries, and the range of difficulty lets multiple students from the same studio prepare simultaneously for festival performance.

Skills your students will build

  • Expressive phrasing across multiple musical styles
  • Articulation clarity in both legato and staccato passages
  • Interpretation of arranged works versus original compositions
  • Contest-level performance preparation and stage readiness
  • Stylistic differentiation between classical, romantic, and contemporary idioms
  • Dynamic shaping and control across a full solo range

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