Classic Festival Solos (C Flute), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (C Flute), Volume 1 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (C Flute), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (C Flute), Volume 1 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03721

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Andantino (Sor, arr. Dishinger) * Flutella (Burgstahler) * Frolic (Mac Perrin) * Merry Wives of Windsor (Nicolai, arr. Mac Perrin) * Oiseaux de Passage (Poldini, arr. Guenther) * On the Meadow (Rebikoff, arr. Guenther) * The Piper (Burgstahler) * Rondeau (Couperin, arr. Dishinger) * Serenade (Sumerlin) * Soliloquy (Edelson) * The Spinning Wheel (Burgstahler) * Three Short Pieces (Cechvala).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7692-5478-0
ISBN13: 978-0-7692-5478-4
UPC: 029156173994
SKU: 00-EL03721
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection pulls together solos that actually appear on state contest lists, so your students aren't practicing in a vacuum. The mix of styles (Baroque arrangements, character pieces, original compositions) keeps rehearsals fresh and gives advancing flutists real variety to dig into across a single book.

What to expect

You'll move from the elegant restraint of Baroque reworkings to the gentle lyricism of character pieces and on to the shimmering charm of lighter solo material. The collection feels curated rather than assembled, balancing technical growth with genuine musical satisfaction.

Who it's for

Advancing flute students preparing for festival competitions or looking to build a solo repertoire beyond their primary method book. This works for intermediate players ready to tackle stylistic variety and perform with piano accompaniment in recital or contest settings.

How to get the most out of it

  • Balance your air support across the dynamic range in pieces like Serenade, where the gentle character can collapse into a thin, wispy tone if you don't maintain consistent voicing.
  • Listen closely to how the piano part frames each solo's phrasing in the Baroque arrangements (Rondeau, Andantino); let the accompaniment guide your rubato and breathing rather than fighting against it.
  • In the lighter character pieces like Frolic and The Spinning Wheel, articulation clarity makes the difference between bouncy and sloppy; commit to rhythmic precision without losing the playful energy.

How to use it

Build a festival or recital program by selecting contrasting pieces from this book. Pair an ornamental Baroque arrangement with a lyrical piece like Serenade and a rhythmic character piece to demonstrate your students' range. Many solos here carry the weight of competition-tested material, so they're ideal for students working toward festival performance.

Skills your students will build

  • Baroque style interpretation and articulation
  • Lyrical phrasing and breath control in slower solos
  • Rhythmic precision and articulation in character pieces
  • Collaboration with piano accompaniment
  • Dynamic control and tone consistency across diverse musical styles

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