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Classic Festival Solos (Bassoon), Volume 2 Solo Book: Bassoon Book

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Classic Festival Solos (Bassoon), Volume 2 Solo Book Cover Image

Classic Festival Solos (Bassoon), Volume 2 Solo Book: Bassoon Book

Ed. Jack Lamb

Item: 00-EL03879

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Estrellita (Ponce, arr. Simpson) * Gavotte (Johnson) * Gigue (Johnson) * The Happy Hunter (Paine) * In the Hall of the Mountain King (Grieg, arr. Simpson) * A Little Song (Johnson) * March of the Bassoons (Hawkins) * March of the Leprechauns (Erickson, arr. Best) * Melody In F (RubenStein, arr. Best/Erickson) * Minuetto from Don Giovanni (Mozart, arr. Best/Erickson) * Pouppee Valsante (Poldini, arr. Simpson) * A Russian Folk Song (Drigo, arr. Best/Erickson) * Serenade, (Drigo, arr. Best/Erickson) * The Troubador (Paine) * Variation Waltz, (Hawkins). A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5465-9
ISBN13: 978-0-7692-5465-4
UPC: 029156078336
SKU: 00-EL03879

More about this title

Why we love this

This collection spans a genuine range of difficulty within a single book, so advancing students can find material that challenges them without outpacing their technique. The inclusion of pieces from state festival lists means students preparing for competition have a curated, pedagically sound resource that directors trust. The mix of arrangements and original works exposes bassoonists to different compositional voices and styles, building musical maturity alongside technical facility.

What to expect

This book is a gateway into the richness of bassoon repertoire beyond the standard beginner canon. You'll move from charming character pieces like The Happy Hunter and March of the Leprechauns into more introspective territory with the Russian Folk Song and Serenade, discovering how the bassoon's warm, flexible voice serves everything from sparkling dance rhythms to contemplative melody lines.

Who it's for

Advancing bassoon students who are preparing for festival performances, auditions, or recitals and need graded solo material that grows with their skills. Directors building a solo repertoire library for their studio or ensemble program will find pieces suitable for spring recitals, contests, and general music-making across multiple grade levels.

How to get the most out of it

  • Work through the easier pieces first to build confidence and identify the stylistic patterns the composers use, then return to tackle the more demanding selections with better interpretive instincts.
  • Pay close attention to articulation markings in the character pieces (Gavotte, Gigue, Minuetto). These baroque and classical forms rely on clear tongue definition to convey their period style.
  • Use the lyrical solos (Serenade, A Little Song) to develop sustained tone and phrase shaping; these are your opportunity to move beyond technical display.
  • Check the festival requirements for your state and region; many pieces in this book appear on official competition lists, so you can prepare strategically throughout the year.

How to use it

Pull solos from this book across your concert season as advancing students reach new technical milestones; the range of difficulty means you can cast pieces according to individual readiness rather than class level. Use the contest-listed pieces as your festival prep foundation, and explore the others as enrichment material for recitals or informal chamber programs. The stylistic variety makes it ideal for students building a well-rounded solo audition repertoire in the middle grades.

Skills your students will build

  • Playing across multiple musical styles and periods (baroque, classical, romantic, contemporary arrangements)
  • Articulation and phrasing in character pieces with rhythmic precision
  • Lyrical tone production and breath control in sustained melodic passages
  • Interpreting dynamic and expressive markings to shape musical phrases
  • Technique building in manageable increments within a single collection

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