Classic Festival Solos (Bassoon), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (Bassoon), Volume 2 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (Bassoon), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (Bassoon), Volume 2 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03880

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Estrellita (Ponce, arr. Simpson) * Gavotte (Johnson) * Gigue (Johnson) * The Happy Hunter (Paine) * In the Hall of the Mountain King (Grieg, arr. Simpson) * A Little Song (Johnson) * March of the Bassoons (Hawkins) * March of the Leprechauns (Erickson, arr. Best) * Melody In F (RubenStein, arr. Best/Erickson) * Minuetto from Don Giovanni (Mozart, arr. Best/Erickson) * Pouppee Valsante (Poldini, arr. Simpson) * A Russian Folk Song (Drigo, arr. Best/Erickson) * Serenade, (Drigo, arr. Best/Erickson) * The Troubador (Paine) * Variation Waltz, (Hawkins).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7692-5558-2
ISBN13: 978-0-7692-5558-3
UPC: 029156078343
SKU: 00-EL03880
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection hits the sweet spot for advancing bassoonists who need contest-ready repertoire without the solo book's expense. The piano accompaniments are written to support rather than overshadow the soloist, making these pieces genuinely rewarding to perform in recital or festival settings.

What to expect

From the lilting warmth of Estrellita to the spirited energy of March of the Leprechauns, these arrangements capture a range of moods and traditions. You'll find yourself moving through European salon music, folk traditions, and operatic excerpts that feel both elegant and accessible.

Who it's for

This book serves bassoonists working toward festival competitions or building a recital program with diverse, audience-friendly selections. It works equally well for advancing high school players and college students preparing for auditions or community performances.

How to get the most out of it

  • Balance the melodic line against the piano part by listening carefully during rehearsals; these arrangements often give the accompaniment more texture than a standalone solo would carry.
  • Approach the varied styles (waltzes, gavottes, folk songs) by studying the character each piece demands rather than applying one interpretive approach across the collection.
  • Use the easier selections early in your practice routine to build confidence before tackling the more demanding arrangements.

How to use it

Select individual pieces from this collection to round out a solo recital or festival performance, mixing styles to showcase your versatility. Several works appear on state contest lists, making this an efficient source for competition preparation during the fall and winter seasons.

Skills your students will build

  • Reading and executing diverse musical styles (waltz, march, gavotte, gigue, folk melody)
  • Balancing melody with piano accompaniment in chamber-like contexts
  • Controlling tone and phrasing across a range of tempos and dynamic requirements
  • Navigating moderate technical passages without extreme register shifts
  • Building confidence with repertoire that appears on standard festival and contest lists

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