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Classic Festival Solos (Baritone B.C.), Volume 2 Solo Book: Baritone Book

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Classic Festival Solos (Baritone B.C.), Volume 2 Solo Book Cover Image

Classic Festival Solos (Baritone B.C.), Volume 2 Solo Book: Baritone Book

Item: 00-EL03893

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Air from "Comus" (Arne, arr. Little) * Andante con Moto (Smith, arr. Falcone) * Aura Lee (Traditional, arr. Little) * Ballad in Blue (Girlamo, arr. Vincent) * Baritone Bacarat (Tanner) * Cheerio (Smith) * Day Star (Belden, arr. Little) * Divertimento (Haydn, arr. Little) * Electra III (Smith, Falcone) * Fidelity (Smith, arr. Falcone) * Piece In Classic Style (Smith) * Quarks and Quasars (Belden, arr. Little) * Tomorrow's Waltz (Tanner) * Two Pieces for Baritone (Purcell, arr. Vincent).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5225-7
ISBN13: 978-0-7692-5225-4
UPC: 029156079081
SKU: 00-EL03893

More about this title

Why we love this

This collection hits the sweet spot for baritone players ready to move beyond early solo repertoire but not yet tackling advanced recital material. The range of styles and arrangers means students encounter different musical voices and idioms, building adaptability alongside technical skill. Many selections appear on state festival lists, so choosing from this book often means selecting contest-ready material your students will recognize from adjudication requirements.

What to expect

A musical journey across centuries and styles. You'll find the elegant restraint of Arne and Haydn, the rhythmic bounce of traditional Aura Lee, the bluesy introspection of Ballad in Blue, and the bright contemporary energy of pieces like Quarks and Quasars. Each selection has room to breathe and space for your own musical choices.

Who it's for

Advanced elementary and middle school baritone students ready to explore repertoire beyond first-year materials, or high school players building contest experience and solo recital variety. This book works for students in individual study as well as those preparing for festival performance.

How to get the most out of it

  • Balance interpretive detail with the solo context. These arrangements often accompany piano or band; resist the urge to overshadow the accompaniment or lean too heavily on volume to project.
  • Pay close attention to articulation markings, especially in pieces like Electra III and Fidelity, where precision articulation shapes the musical character.
  • Treat the variety of styles as an opportunity to adjust your tone color and vibrato from piece to piece. The classical arrangements ask for different voice production than the contemporary works.

How to use it

Pull selections for standalone concert solos, or pair multiple pieces from this book for a mini-solo segment in a band concert. The progressive difficulty means you can program easier pieces early in the year as confidence builders and save more complex selections for spring festival season.

Skills your students will build

  • Reading and performing a diverse range of musical styles from classical to contemporary
  • Interpreting articulation and expression markings specific to different arrangers' approaches
  • Adjusting tone production and vibrato to suit musical context and historical period
  • Building endurance and technical facility across varying ranges and technical demands
  • Preparing performance-ready material for adjudicated contest environments

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