Classic Festival Solos (Baritone B.C.), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Baritone B.C.), Volume 1 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (Baritone B.C.), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (Baritone B.C.), Volume 1 Piano Acc.: Piano Acc. Book

Item: 00-EL03745

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Concentration (Smith) * Debonair (Smith) * Galaxy (Vincent) * Gypsy Rondo (Haydn, arr. Smith) * Las Tortillas (Tanner) * Lazy Lullaby (Tanner) * Little Norway (Smith) * Military March (arr. Little) * Sentinel (Smith) * Song to the Evening Star (Wagner, arr. Smith) * Unicorn (Smith) * Venture (Smith) * Weather Vane (Tanner).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-1773-7
ISBN13: 978-0-7692-1773-4
UPC: 029156181487
SKU: 00-EL03745
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection strikes the balance between accessibility and musical substance that makes festival prep rewarding rather than tedious. The range of styles and difficulty levels means you can assign pieces individually across your section or pull a complete recital program from a single book, and the inclusion of contest-proven repertoire gives students the satisfaction of playing music they'll actually hear evaluated.

What to expect

You move from the march-like precision of "Military March" to the lyrical warmth of Wagner's "Song to the Evening Star," then pivot to the Latin flair of "Las Tortillas." The writing honors the baritone's expressive range, treating the instrument as capable of both noble declaration and intimate storytelling.

Who it's for

Advancing baritone players working toward festival contests or preparing solo recitals. This book works equally well for high school students building their repertoire and younger college-age players looking for reliable material that sits well on the instrument.

How to get the most out of it

  • Establish the character of each piece before diving into mechanics. "Debonair" demands a completely different approach than "Lazy Lullaby," so spend rehearsal time discussing what the title promises and how your tone and phrasing should reflect that.
  • Balance your sound with the piano part during rehearsals. These accompaniments are substantial enough to support your playing, but only if you listen actively and adjust your volume accordingly.
  • Use contrasting tempos across a multi-piece recital to keep the program from sounding monochromatic. The collection gives you that flexibility.
  • Mark breathing spots and phrase endpoints clearly in your copy before the first run-through. The variety of melodic styles means you cannot assume phrasing will be intuitive.

How to use it

Pull individual solos for recital components or use the entire collection as a solo showcase evening where each student performs one piece. The contest-list crossover also makes this ideal for students preparing for spring festivals who need vetted material and want to learn from established arrangements.

Skills your students will build

  • Reading and interpreting varied musical styles within a single collection
  • Balancing solo line with substantial piano accompaniment
  • Performing across a range of tempos and dynamic requirements
  • Applying stylistic nuance specific to each piece's character
  • Building recital stamina through multi-piece performance

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