Classic Festival Solos (B-flat Trumpet), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Trumpet), Volume 2 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (B-flat Trumpet), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Trumpet), Volume 2 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03888

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Andantino (Sor, arr. Dishinger) * Aria (Bach, arr. Fitzgerald) * Chorale Melody, No. 19 (Bach, arr. Smith) * Dedication (Pelz) * The Easy Winners (Joplin, arr. Herriot/Cable) * El Verano (Knipfel/Leonard) * Happy Go Lucky (Smith) * Introduction and Fantasy (Fitzgerald) * La Casa (Knipfel/Leonard) * Road Runner (Smith) * Scarlatti Suite (Scarlatti, arr. Fitzgerald) * Valse "Au Printemps" (Smith).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7692-5564-7
ISBN13: 978-0-7692-5564-4
UPC: 029156078428
SKU: 00-EL03888
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection bridges the gap between beginner materials and advanced repertoire by pairing trumpet students with genuine performance pieces that actually appear on festival lists. The range of styles—from Bach arrangements to Joplin rags to contemporary compositions—keeps advancing students engaged without overwhelming them, and the piano accompaniments make these solos immediately accessible for recitals or contests without needing to hire a professional accompanist.

What to expect

You'll encounter everything from the contemplative elegance of Bach through the syncopated swing of early American popular song. The pieces breathe—no two sit in the same harmonic or stylistic territory—which keeps both player and accompanist attentive and responsive throughout rehearsal and performance.

Who it's for

Trumpet students moving beyond method-book etudes who need substantive, musically rewarding material at their level. This collection works equally well for festival preparation, recital programming, or building confidence in sight-reading across multiple genres and harmonic contexts.

How to get the most out of it

  • Study the piano part first to understand harmonic movement and phrasing; this informs your melodic choices and helps you lock in with accompaniment.
  • Treat articulation markings as compositional material rather than default conventions. Notice where slurs yield to detached passages and let those contrasts shape your interpretation.
  • Record yourself with the accompaniment and listen back with fresh ears at least once per piece. Your intonation and balance will reveal themselves differently on playback than in real time.

How to use it

Draw on individual selections for student recitals throughout the year rather than programming the entire volume at once; this approach lets you scaffold difficulty and showcase growth. Several selections pair naturally with chamber or ensemble contexts, and since many appear on state contest lists, students studying from this book arrive at festivals already familiar with standard repertoire expectations.

Skills your students will build

  • Reading and executing varied articulation patterns across baroque, classical, and contemporary idioms
  • Balancing melody against harmonic accompaniment in different textural contexts
  • Interpreting stylistically informed phrasing in multiple musical genres
  • Building consistency and musical memory across a longer, performance-ready solo
  • Managing intonation challenges in extended ranges and harmonic contexts

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