Classic Festival Solos (B-flat Trumpet), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (B-flat Trumpet), Volume 1 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (B-flat Trumpet), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (B-flat Trumpet), Volume 1 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03739

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Alman (Morley, arr. Dishinger) * Ancient Story (Kaplan) * Bourree (Handel, arr. Dishinger) * The Enchanted Swing (Pelz) * Fantasy for Trumpet (Walters) * Halgueno (Chenette) * Legend (Bakaleinikoff) * March of the Matadors (Eymann) * Menuet (K. 164) (Mozart, arr. Dishinger) * Morning Glory (Chenette) * Serenade (Bakaleinikoff) * Tall Men (Smith).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7692-5768-2
ISBN13: 978-0-7692-5768-6
UPC: 029156133905
SKU: 00-EL03739
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection hits the sweet spot for advancing trumpet students who are ready for more sophisticated musicianship without overwhelming them. The range of styles—from Baroque arrangements to character pieces—keeps rehearsals fresh and gives students real variety to explore within a single book. Many solos appear on state festival lists, so you're building repertoire that students will actually need.

What to expect

You'll encounter everything from stately Baroque dances to lyrical serenades to spirited marches. The music rewards clean articulation, steady phrasing, and genuine musical expression rather than technical flash, making each piece feel like a meaningful performance rather than an exercise.

Who it's for

Trumpet students who have moved beyond beginning method book work and are developing musical independence. This collection serves advancing players preparing for solo festivals, competitions, or recitals, as well as students building a diverse solo repertoire across multiple styles.

How to get the most out of it

  • Use the piano accompaniment strategically during early rehearsals to establish harmonic context and phrasing, then work toward independence so the trumpet line breathes on its own.
  • Pay attention to the stylistic requirements of each piece. The Handel and Mozart arrangements demand different articulation and ornamentation than the contemporary character pieces.
  • Spend extra time on the transitions between sections in the longer solos. These moments often reveal a student's ability to shape phrases and maintain musical momentum.
  • Record yourself with the accompaniment early in preparation to identify intonation issues that are harder to hear in the moment.

How to use it

Select individual solos to pair with ensemble work throughout the season, or use the collection as a concert framework where each student prepares one or two pieces for a solo recital. The variety means you can find something suited to different temperaments and abilities within your studio or section.

Skills your students will build

  • Reading and executing varied articulation styles (legato, detached, staccato) across Baroque through contemporary repertoire
  • Phrasing and shaping longer melodic lines with musical intent
  • Adjusting style and ornamentation to match period and character
  • Managing rubato and expression in serenade and lyrical pieces
  • Collaborating effectively with piano accompaniment

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