Classic Festival Solos (B-flat Tenor Saxophone), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 2 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (B-flat Tenor Saxophone), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 2 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03884

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Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Andante from Rosamunde (Schubert, arr. Rascher) * Allegro (Haydn, arr. Rousseau) * Barcarolle (Offenbach, arr. Rousseau) * Fun Time (Leonard) * Gavotte (Martin, arr. Rousseau) * Gavotte and Bourree (Bach, arr. Rascher) * Largo (Handel, arr. Rascher) * Londonderry Air (Traditional, arr. Rousseau) * Madrigal (Simonetti, arr. Leonard) * Musette (Bach, arr. Rascher) * Sicilienne and Gigue (Handel, arr. Coggins) * Slavonic Dance (Dvorak, arr. Leonard) * Tribute to the Tenor (Rousseau).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-5561-2
ISBN13: 978-0-7692-5561-3
UPC: 029156078381
SKU: 00-EL03884
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection balances repertoire breadth with pedagogical progression, giving pianists and saxophonists genuine variety rather than filler. The arrangements by respected educators like Rascher and Rousseau maintain the integrity of each piece while keeping the piano part accessible and supportive, making coaching sessions productive and rehearsals efficient.

What to expect

Moving through these pages feels like stepping through a curated recital spanning continents and centuries. You experience the courtly elegance of Bach and Handel, the theatrical charm of Offenbach, the romantic sweep of Dvorak, all in concise, performable arrangements that reward both technical precision and musical storytelling.

Who it's for

This book serves advancing intermediate saxophonists preparing for solo competitions or festival competitions where diverse programming is expected. Pianists supporting student soloists will appreciate clear, well-crafted accompaniments that neither overwhelm nor undersupport the soloist.

How to get the most out of it

  • Establish the accompaniment tempo first during rehearsal. Many of these baroque and classical pieces rely on the pianist to anchor phrasing, so work out stylistic choices together before adding saxophone.
  • Separate your practice into sections by era. Play through all the Bach and Handel pieces in one sitting to internalize baroque articulation and ornamentation, then shift your approach for the 19th-century arrangements.
  • Address intonation vulnerabilities specific to each key. The collection spans multiple transpositions and styles; identify which keys cause tuning drift and build focused long-tone work around those.

How to use it

Draw from this collection to build a festival solo recital with stylistic contrast and proven appeal. Select a baroque piece, a classical movement, and a Romantic work to satisfy adjudication requirements while keeping rehearsal time manageable with a single accompaniment book. Several arrangements appear on state solo contest lists, making this reliable preparation material.

Skills your students will build

  • Baroque articulation and phrasing (Bach, Handel)
  • Classical period style and proportional phrasing (Haydn, Schubert)
  • Ornamentation and grace note execution across multiple styles
  • Musicality in varied tempos and dynamics
  • Rhythmic precision with piano accompaniment in changing meters
  • Intonation consistency across multiple keys and registers

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