Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Solo Book Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Solo Book: Saxophone Book

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Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Solo Book Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Solo Book: Saxophone Book

Ed. Jack Lamb

Item: 00-EL03734

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Alman (Morley, arr. Dishinger) * All Through the Night (arr. Rascher) * Ballade (Gee) * Intermezzo (Mascagni, arr. Rousseau) * A Joyous Tune (Rascher) * Let's Sing a Song of Praise (arr. Rascher) * March of the Saxmen (Foster) * Minuet in D Minor (Bach, arr. Coggins) * Portrait (Pelz) * Rhapsodie (Monroe) * Rondeau (Couperin, arr. Dishinger) * Saraband and Minuet (Galliard, arr. Gee) * Sweet Betsy from Pike (arr. Rascher) * Toselli's Serenade (Toselli, arr. Leonard). This title is available in MakeMusic Cloud. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Solo Book: Saxophone Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-1879-2
ISBN13: 978-0-7692-1879-3
UPC: 029156087055
SKU: 00-EL03734

More about this title

Why we love this

This collection spans the full range of what advancing saxophonists encounter on festival circuits: baroque counterpoint, romantic lyricism, folk idioms, and character pieces that demand both technical control and musical maturity. The mix of arrangements and original works means students aren't just playing unfamiliar material; they're building a repertoire that directly aligns with state competition expectations.

What to expect

From the stately march of Foster's brass-band energy to the intimate nobility of a Toselli serenade, this collection pulls you through centuries and moods. You'll discover how a simple folk tune transforms under arrangement and how baroque dances still carry weight when played with intention.

Who it's for

Advancing B-flat tenor saxophonists preparing for solo competitions, festival performances, or building a diverse solo repertoire. This book serves students roughly at grades 3-4 difficulty who are ready to move beyond beginner materials and want contest-tested selections.

How to get the most out of it

  • Approach the baroque and classical pieces (Minuet in D Minor, Rondeau, Saraband and Minuet) with clarity of line and precise articulation; the arrangements here expose every unevenness in your phrasing.
  • Use the contrasting tempos and characters across the collection to develop your ability to shift tone quality and vibrato application; a ballad requires different resonance than a march.
  • Lock in intonation early on pieces like Toselli's Serenade and Intermezzo, where sustained passages and lyrical shapes demand unwavering pitch control.
  • Examine each arrangement's editorial markings carefully; interpreters like Rascher and Dishinger have shaped articulation and breathing points that serve the style, not just convenience.

How to use it

Rotate selections from this collection into student recitals throughout the year; pairing a baroque piece with a modern character work creates a compelling short program. Several titles appear on state festival lists, making this an efficient selection tool for directors building competition schedules.

Skills your students will build

  • Playing contrasting styles (baroque, romantic, folk arrangements, character pieces) with appropriate tone color and phrasing
  • Sight-reading progressively challenging solos without relying on transposition or simplification
  • Managing sustained passages and lyrical lines with steady intonation and vibrato control
  • Interpreting editorial articulation and breathing choices in arrangements
  • Building confidence with festival and competition repertoire
  • Developing musical maturity through engagement with established contest materials

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