Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Piano Acc.: Piano Acc. Book

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Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Piano Acc. Cover Image

Classic Festival Solos (B-flat Tenor Saxophone), Volume 1 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03735

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Alman (Morley, arr. Dishinger) * All Through the Night (arr. Rascher) * Ballade (Gee) * Intermezzo (Mascagni, arr. Rousseau) * A Joyous Tune (Rascher) * Let's Sing a Song of Praise (arr. Rascher) * March of the Saxmen (Foster) * Minuet in D Minor (Bach, arr. Coggins) * Portrait (Pelz) * Rhapsodie (Monroe) * Rondeau (Couperin, arr. Dishinger) * Saraband and Minuet (Galliard, arr. Gee) * Sweet Betsy from Pike (arr. Rascher) * Toselli's Serenade (Toselli, arr. Leonard).

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-5470-5
ISBN13: 978-0-7692-5470-8
UPC: 029156174144
SKU: 00-EL03735
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection spans genuine repertoire territory, drawing from contest lists that matter. The mix of baroque, romantic, and folk arrangements gives saxophonists real variety to tackle without leaving the advancing level, and the piano accompaniments turn solo preparation into genuine chamber music.

What to expect

A tour through musical time: you move from baroque dance and minuet through romantic song forms and concert pieces, ending in folk-styled melodies. The writing stays grateful to the instrument while respecting the composers' original intent across centuries.

Who it's for

Advancing tenor saxophonists preparing for solo competition, festival performance, or recital work. This book serves musicians past the beginner stage who are ready for pieces with real harmonic content and stylistic range.

How to get the most out of it

  • Balance your tone with the piano part during rehearsal. These arrangements include genuine accompaniment textures, not mere padding, so mark dynamic shapes that let both parts breathe together.
  • Choose pieces strategically across contests or recitals. The contrasting moods (dance forms, ballades, marchlike pieces) let you program a coherent arc rather than stacking similar work.
  • Work slowly through the piano score before rehearsal. Understanding where the accompanist supports versus fills space helps you phrase with intention rather than against the part.

How to use it

Build a recital around the stylistic contrasts here, pairing a baroque piece with a romantic work and a folk arrangement to show range. Many selections appear on state contest lists, making this book practical for both solo competition prep and regular performance repertoire.

Skills your students will build

  • Phrasing across different musical styles and historical periods
  • Collaboration with accompanists using detailed piano textures
  • Interpretation of baroque ornamentation and articulation conventions
  • Lyrical voice in arranged folk melodies and song-like pieces
  • Intonation control in harmonic progressions characteristic of romantic-era music

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