Classic Festival Solos (B-flat Bass Clarinet), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Bass Clarinet), Volume 2 Piano Acc.: Piano Acc. Book

$8.99 USD
Sale price  $8.99 USD Regular price 
Skip to product information
Classic Festival Solos (B-flat Bass Clarinet), Volume 2 Piano Acc. Cover Image

Classic Festival Solos (B-flat Bass Clarinet), Volume 2 Piano Acc.: Piano Acc. Book

Ed. Jack Lamb

Item: 00-EL03878

$8.99
Shipped

One moment…

Description
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Contains: Aubade (Guenther) * Brahms With Variations (arr. Goldberg) * Dusty Rag (Nix, arr. Ferreira) * Flow Gently Sweet Afton (Traditional, arr. Nix/Ferreira) * The Happy Hippo (Porter) * Israeli Melody (arr. Goldberg) * Jacob's Ladder (arr. Goldberg) * The Jolly Bass (Nix, arr. Ferreira) * Medley from H.M.S. Pinafore (Sullivan, Goldberg) * Mini-Variations (Nix, arr. Ferreira) * Novelette (Erickson, arr. Goldberg) * The Old Castle (Moussorsky, arr. Goldberg) * Sonata In G Minor (Eccles, Goldberg).

Classic Festival Solos (B-flat Bass Clarinet), Volume 2 Piano Acc.: Piano Acc. Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7692-4998-1
ISBN13: 978-0-7692-4998-8
UPC: 029156077933
SKU: 00-EL03878
Instrumentation: Piano Acc.

More about this title

Why we love this

This collection balances repertoire breadth with genuine musical substance. You get everything from ragtime and folk arrangements to Mussorgsky and Sullivan, which means students encounter varied stylistic demands without overwhelming them, and many pieces align with state festival requirements so your prep work pays double dividends.

What to expect

The collection moves easily between worlds: you might perform a stately baroque sonata one moment and a bouncy novelty piece the next, then settle into a lush arrangement of a traditional melody. That variety keeps rehearsals fresh and performance programs from feeling monotonous.

Who it's for

Advancing bass clarinet students preparing for solo festivals, auditions, or recitals will find material scaled to intermediate technical demands with real musical payoff. This book serves teachers building a rotating repertoire that accommodates different learning trajectories within the same ensemble or studio.

How to get the most out of it

  • Approach the ragtime and character pieces (Dusty Rag, The Happy Hippo, The Jolly Bass) with clear articulation and rhythmic precision; these arrangements reward crisp tonguing and a light touch.
  • In the lyrical works like Flow Gently Sweet Afton and Aubade, shape long phrases with gradual dynamic changes rather than abrupt shifts; the piano part will support a connected, singing sound.
  • Use the variation movements (Brahms With Variations, Mini-Variations) to explore how slight tempo and color adjustments can transform familiar material without breaking the underlying pulse.
  • Check the HMS Pinafore medley for moments where the piano doubles or complements your line; balance your tone to let the accompaniment breathe rather than cover it.

How to use it

Slot individual selections into solo and ensemble festivals where state requirements call for unaccompanied or accompanied works across multiple styles. These pieces also work well as short recital openers or closers, allowing you to program a three-piece solo set that showcases range without requiring students to master a full sonata.

Skills your students will build

  • Stylistic interpretation across baroque, ragtime, folk, and character genres
  • Balanced collaboration with piano accompaniment
  • Long-phrase construction and pacing in lyrical contexts
  • Rhythmic precision in syncopated and ragtime idioms
  • Articulation variety suited to different musical styles

You May Also Like