Clarinet Quintet in A K581 (Arranged in B flat for Clarinet in B flat and Piano) Cover Image

Clarinet Quintet in A K581 (Arranged in B flat for Clarinet in B flat and Piano): Clarinet & Piano

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Clarinet Quintet in A K581 (Arranged in B flat for Clarinet in B flat and Piano) Cover Image

Clarinet Quintet in A K581 (Arranged in B flat for Clarinet in B flat and Piano): Clarinet & Piano

By Wolfgang Amadeus Mozart / arr. Philip Catelinet / ed. Philip Catelinet

Item: 98-EP19B

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Description
Mozart originally composed his Clarinet Quintet K581 for his friend Anton Stadler who promoted the recently-developed 'basset clarinet' pitched in A. The work has since been adopted by performers on the more standard soprano clarinet. This edition makes available the work to performers who do not own an A clarinet and wish to perform it on the more common B-flat instrument. The piano accompaniment is transposed to B-flat major (from the orginal A major) and the clarinettist plays from the same music as if for the A clarinet (ensuring smooth progression to that instrument if subsequently acquired)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-708016-4
ISBN13: 979-0-57-708016-1
SKU: 98-EP19B

More about this title

About the Composer: Wolfgang Amadeus Mozart

Mozart wrote his Clarinet Quintet in 1789 as a gift for Anton Stadler, the virtuoso clarinetist who championed the basset clarinet's expanded range and mellow sonority. This work represents one of Mozart's final chamber compositions and stands as the cornerstone of the clarinet quintet repertoire, balancing lyrical writing that exploits the instrument's singing quality with the refined textures of a string quartet.

Why we love this

Transposing this masterwork into B-flat removes a significant barrier to performance while maintaining Mozart's harmonic logic and the pedagogical value of the piece. Students get authentic exposure to one of chamber music's greatest works without needing a second clarinet, and the arrangement respects the original conception by keeping the clarinetist's part unchanged (encouraging future transition to A clarinet). The writing itself is a masterclass in how to compose idiomatically for the clarinet.

What to expect

Intimate and expressive, with a warmth that comes from Mozart's deep understanding of the clarinet's character. The opening Allegro flows with elegant restraint, while inner movements explore lyrical depth and conversational give-and-take between instruments. The finale returns with spirited charm and infectious lightness.

Who it's for

Clarinet students with solid technique who are ready for substantial chamber repertoire and teachers seeking a meaningful piece that bridges intermediate and advanced playing. This arrangement is ideal for students on B-flat clarinet who want to perform a canonical work without the investment of a second instrument.

How to get the most out of it

  • Shape the long melodic lines with a singing tone that mirrors how a string player would approach the material; resist the urge to mechanically articulate through phrase endings.
  • Balance your sound against the piano so that neither dominates the textural conversation; the piece thrives on transparency.
  • Pay close attention to Mozart's articulation markings and dynamic shadings in the original score, as these guide the emotional arc across movements.
  • Work the accompaniment alongside your pianist from the start; the relationship between clarinet and piano is collaborative, not hierarchical.

How to use it

Feature this on a chamber music recital or full orchestra concert as a refined centerpiece that pairs well with other Mozart chamber works. It also works as a sophisticated solo showcase within a larger concert setting, allowing a strong clarinet student to demonstrate both technical skill and musical maturity.

Skills your students will build

  • Phrasing across long melodic arcs in classical style
  • Balance and blend in chamber music settings
  • Interpretation of classical ornamentation and articulation
  • Collaboration with piano accompaniment
  • Sustaining tone quality at varied dynamics and registers

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