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Clarinet Candy: Full Orchestra, Ensemble Works Conductor Score

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Clarinet Candy: Full Orchestra, Ensemble Works Conductor Score

By Leroy Anderson

Item: 36-A908301

$20.00
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Description
A brilliant showpiece for four clarinets in the spirit of Bugler's Holiday. Instrumentation: 2+Picc.2.2.2: 3sax(AAT.opt.): 4.3.3.1: Perc(2): Pno(opt): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887729-7
ISBN13: 978-1-63-887729-5
UPC: 735816343958
SKU: 36-A908301
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer who fundamentally changed how orchestras approached light classical music. Rather than relegating pops repertoire to a separate category, he elevated it to concert-hall standards through meticulous orchestration and genuinely inventive musical ideas. His works have become staples of educational and professional orchestras alike, prized for their technical demands, orchestral color, and infectious musicality.

Anderson studied composition at Harvard and developed an ear for the American idiom, jazz influences, folk elements, and the sounds of everyday life filtered through sophisticated harmonic language. He wrote for full orchestra with the precision of a classical composer and the sensibility of a popular songwriter. His legacy extends far beyond his lifetime; directors continue to program his works because they engage audiences while teaching musicians about orchestral balance, independent lines, and rhythmic clarity.

Why we love this

Clarinet Candy delivers what Bugler's Holiday established: a vehicle where four soloists can shine without compromising ensemble integrity. The orchestration balances featuring the clarinet choir against sophisticated accompaniment, giving your wind and string sections equally engaging material. It's the kind of showpiece that draws genuine applause and reminds musicians why they love playing together.

What to expect

Infectious energy with a jazz-inflected groove, bright and playful in character. The four clarinets weave together in a dance that's virtuosic but never pretentious, supported by orchestration that's colorful without overwhelming. It has the feeling of a celebration among friends, where everyone gets a turn in the spotlight.

Who it's for

Orchestras and large ensembles with strong clarinet sections and the depth to support full orchestration. Advanced high school groups, college ensembles, and professional orchestras all find it rewarding. The piece works equally well as a standalone showpiece or as part of a program mixing classical and light classical repertoire.

How to get the most out of it

  • Balance the four clarinet lines by rehearsing them independently before blending with orchestra; each voice carries melodic weight and should project clearly.
  • Lock the rhythmic foundation early by solidifying the percussion and piano parts; Anderson's syncopations depend on unwavering pulse.
  • Shape the clarinet solos with the same attention you'd give to a concerto; these aren't background decorations but featured moments deserving expressive control.
  • Use the recorded accompaniment to establish tempo and style references, but allow your clarinets enough flexibility to breathe naturally within the groove.

How to use it

This works best as a second-half opener on a concert that's building energy, or as an intermission closer on a longer program. Pair it with other Anderson works or use it to bridge between a classical first half and pops selections. It's also ideal for showcasing ensemble musicianship at a festival or concert where you want to balance serious repertoire with something that demonstrates technical skill and personality.

Skills your students will build

  • Balancing four independent melodic lines in the clarinet section
  • Maintaining rhythmic precision in syncopated passages
  • Articulation control across fast scalar passages
  • Blending ensemble sound while projecting as a solo voice
  • Understanding orchestral texture and how individual lines interact

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