Circus Jugglers Cover Image

Circus Jugglers: Piano Sheet

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Circus Jugglers Cover Image

Circus Jugglers: Piano Sheet

By Margaret Goldston

Level: Elementary

Item: 00-12879

$3.50
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Description
Shifts in rhythm and a staccato touch are featured here as the elementary level performer juggles quarter notes in this fun trip to the circus in C-major.

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Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-0931-1
ISBN13: 978-0-7390-0931-4
UPC: 038081116556
SKU: 00-12879

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) brought her dual expertise as performer and composer to studios and stages across North Carolina. A graduate of Louisiana State University's music program with a focus on piano performance, she studied composition privately with Robert Ward, a Pulitzer Prize recipient whose mentorship shaped her artistic voice.

Throughout her teaching career, Goldston worked with students of all ages while establishing herself as a respected clinician and workshop leader in the United States and Canada. Her work earned recognition from the North Carolina Federation of Music Clubs, which named her Composer of the Year twice (1983 and 1994). The Music Teachers National Association posthumously honored her as a Foundation Fellow in 2020, and her pieces remain fixtures on NFMC Junior Festivals competition lists.

Why we love this

This piece captures what makes elementary piano repertoire engaging: a clear musical concept (juggling) paired with specific technical challenges that feel manageable rather than overwhelming. The rhythmic shifts and staccato articulation demand genuine attention to touch and timing without requiring hand independence or leaps that intimidate early-level learners. It reads as intentional character writing rather than a drill dressed up as a song.

What to expect

Playful and purposeful, with the energy of skilled performers in motion. The staccato articulation and shifting rhythms create a sense of careful balance and coordination, as if the performer is managing multiple objects in the air with precision and lightness.

Who it's for

Elementary pianists ready to balance two complementary technical demands: clean rhythmic accuracy and consistent articulation control. This works well for students who respond to narrative imagery and need concrete motivation to refine their touch quality.

How to get the most out of it

  • Establish the staccato character in the first pass by thinking of the quarter notes as small, separated bounces rather than clipped attacks; this prevents the rhythm from feeling choppy.
  • Mark the rhythm shifts in pencil before performance so the student can visualize where the meter or pulse changes; this clarifies which moments need preparation rather than surprise.
  • Practice hands separately first to lock each part's rhythmic pattern; then bring them together slowly enough that the staccato touch remains consistent across both hands.
  • Record a performance at tempo and listen back for places where staccato disappears or rhythm slackens, especially during transitions between sections.

How to use it

Pair this with other character pieces from the elementary repertoire in a recital program that celebrates storytelling through music. The four-page length makes it an ideal middle-of-program anchor that holds attention without requiring a full concert slot, or include it in a student showcase alongside other animal or circus-themed works.

Skills your students will build

  • Staccato articulation and consistent touch across phrase transitions
  • Reading and performing rhythmic shifts while maintaining pulse stability
  • Hand independence and rhythmic accuracy at faster tempos
  • Dynamic control and phrasing within a character-driven context

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