Cinema Italiano (from Nine): Marching Band Conductor Score & Parts
By Maury Yeston / Arranged by Michael Brown / Arranged by Will Rapp
Grade: 4
Item: 35-PK00146752
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About the Composer: Maury Yeston
Maury Yeston is a composer and lyricist known for his work across musical theater, film, and concert music. He won the Tony Award for Best Original Score for Nine, bringing sophistication and theatrical flair to the Broadway stage. His arrangements and compositions for educational ensembles balance accessibility with genuine musical substance, making his work valuable for performers seeking pieces that connect to larger artistic traditions.
Why we love this
This arrangement captures the glamour and infectious energy of Kate Hudson's film performance without sacrificing musical integrity. The score gives your marching band genuine staging choreography opportunities built into the structure, so ensemble members feel like they're part of a theatrical moment rather than playing a pop arrangement.
What to expect
Sizzling and glamorous. The piece pulses with Mediterranean warmth and showbiz confidence, combining Latin rhythmic flavors with the kind of driving energy that makes audiences sit forward in their seats. It's celebratory without being simplistic, inviting your ensemble to inhabit a sophisticated, film-worthy moment.
Who it's for
Grade 4 marching bands with solid ensemble cohesion and musicians comfortable with rhythmic complexity. Groups looking to program something contemporary and visibly engaging will find this particularly rewarding, especially if you're building a show with theatrical elements or featuring a significant visual component.
How to get the most out of it
- Lean into the rhythmic precision of the accompaniment patterns; the Latin and syncopated elements feel loose only if the underlying pulse is rock solid
- Shape the melody with the same theatrical intention as a stage performer would deliver it, treating phrase endings as natural dramatic moments rather than technical stopping points
- Coordinate any staging or dance elements during early rehearsals so the ensemble can develop the piece musically without fighting against blocking later
How to use it
Consider this as an anchor piece for a show with a theatrical or film theme, or as a standout moment in a pops concert where it can shine alongside other contemporary material. The built in staging possibilities make it ideal for programs where visual spectacle matters as much as pure sound.
Skills your students will build
- Latin rhythm coordination and syncopation
- Theatrical phrasing and dynamic shaping
- Rhythmic independence within the ensemble texture
- Coordination of staging elements with musical precision