Christmas Time Is Here Sheet Music Preview

Christmas Time Is Here: Choral Instrumental Pak

As performed by Lee Mendelson / As performed by Vince Guaraldi / Arranged by John Alexander

Item: 35-PK00373652

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Christmas Time Is Here

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Publisher: Hal Leonard
SKU: 35-PK00373652

More about this title

About the Artist: Lee Mendelson

Lee Mendelson produced the beloved Peanuts television specials that shaped American holiday traditions for generations. His work with composer Vince Guaraldi created some of the most recognizable and emotionally resonant music in animated television history.

Guaraldi's jazz-influenced score for A Charlie Brown Christmas became a cornerstone of holiday programming. The gentle sophistication of pieces like "Christmas Time Is Here" demonstrates how accessible melody and harmonic depth can coexist, making these works equally engaging for young singers and seasoned musicians.

Why we love this

This arrangement captures the wistful warmth that makes the original so enduring without requiring advanced vocal ranges or instrumental virtuosity. The Choral Instrumental Pak format lets you build ensemble flexibility by adding instruments that enhance rather than overshadow the choir's contributions.

What to expect

Bittersweet and reflective rather than triumphant. The piece carries a gentle melancholy beneath its surface, the kind of honest emotion that resonates with audiences who grew up with the Peanuts specials and those encountering the melody for the first time.

Who it's for

Choirs of any age seeking repertoire that feels both familiar and artistically substantive. This works equally well for mixed ensembles, church choirs, or secular holiday concerts where authenticity matters more than arrangements that reinvent the source material.

How to get the most out of it

  • Balance the melody line between singers and any instrumental doubles; understatement serves the song's intimate character better than projection.
  • Lean into the harmonic richness by encouraging singers to listen across parts rather than lock only onto their own line.
  • If using the accompaniment, let it breathe slightly on phrase endings; resist the urge to push the tempo during quiet passages.

How to use it

Place this early in a holiday concert to establish a more thoughtful, less commercial tone for the remainder of your set. It pairs naturally with other jazz-influenced or understated holiday selections, and works as a standalone moment that asks audiences to simply listen.

Skills your students will build

  • Singing sustained, flowing phrases over walking or pedal point accompaniment
  • Balancing vocal blend while maintaining individual line integrity
  • Responding to harmonic context and chord extensions common in jazz-influenced writing
  • Coordinating with instrumentalists on tempo and phrasing without relying on a click

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