Christmas Time Is Here Sheet Music Preview

Christmas Time Is Here: String Orchestra Conductor Score & Parts

By Lee Mendelson / By Vince Guaraldi / Arranged by James Kazik

Grade: 2

Item: 35-PK00192921

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Description
The tender ballad from "A Charlie Brown Christmas" is a perfect jazz-flavored choice for younger orchestras. Well-crafted moving lines within the the skilled ensemble writing assure success. Dur: 2:35

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00192921

More about this title

About the Composer: Lee Mendelson

Lee Mendelson produced and created the Peanuts television specials that became American cultural touchstones, collaborating with composer Vince Guaraldi to craft music that matched the gentle wit and emotional depth of Charles Schulz's comic strip. His work in television animation demonstrated a keen understanding of how music could elevate storytelling, particularly in capturing the bittersweet, understated humor that defined the Peanuts universe.

Why we love this

This arrangement honors Guaraldi's harmonic sophistication while making it genuinely playable for developing orchestras. The jazz inflections and flowing string writing create an inviting entry point into contemporary Christmas repertoire that isn't oversentimental, and the 2:35 duration fits naturally into any holiday concert without demanding excessive rehearsal time.

What to expect

Quiet nostalgia suffused with genuine warmth. The piece settles into a contemplative space where the strings breathe together, creating those moments of stillness that make a holiday program resonate beyond the season itself.

Who it's for

String orchestras at the Grade 2 level will find this arrangement both accessible and musically rewarding. Directors seeking a substantial Christmas selection that avoids schmaltz and maintains musical integrity will appreciate what Kazik has done here.

How to get the most out of it

  • Balance the melody across your first violins and violas. The interplay between these lines carries the ballad's tenderness, so avoid letting either one dominate.
  • Shape the phrasing in four or eight-bar units rather than pushing through to the downbeat. This reflects the song's understated lyricism.
  • Keep the accompaniment figures light and transparent. Younger cellists and basses should feel they're coloring rather than driving the harmony.

How to use it

Place this early in a holiday concert to set a reflective tone before moving into livelier selections, or pair it with other Guaraldi arrangements to create a Peanuts medley. Its modest length makes it ideal for school assembly performances or intimate community concert settings.

Skills your students will build

  • Shaping long melodic lines with consistent intonation
  • Balancing independent string parts within a homophonic texture
  • Responding to jazz-inflected harmonic movement
  • Interpreting articulation and dynamics to serve a ballad's emotional arc

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