Christmas Time Is Here Sheet Music Preview

Christmas Time Is Here: TTBB Choral Octavo

By Lee Mendelson / By Vince Guaraldi / Arranged by Deke Sharon

Item: 35-DS00132715

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00132715

More about this title

About the Composer: Lee Mendelson

Lee Mendelson created the Peanuts television specials that became cultural touchstones for generations of families. His work as a producer and composer shaped the sound of holiday entertainment, collaborating with jazz pianist Vince Guaraldi to craft music that balanced sophistication with accessibility. Mendelson understood that the best holiday music speaks to both children and adults without condescension.

Vince Guaraldi composed the iconic jazz piano score for A Charlie Brown Christmas, creating melodies that have endured far beyond their original context. His gift was writing themes that feel both intimate and universally recognizable, with harmonic warmth that invites singers into genuine emotional terrain rather than manufactured sentiment.

Why we love this

Deke Sharon's arrangement captures the tenderness of the original while giving your singers genuine harmonic material to navigate. The flexibility of TTBB voicing options means you can use this with nearly any ensemble size or voice distribution, making it genuinely useful year after year rather than a one-time special project.

What to expect

Quiet reflection rather than celebration. The melody carries a bittersweet quality, anchored by the kind of jazz chords that suggest snow falling at dusk. There's intimacy in the arrangement; it's the sound of singers gathered close, singing something they genuinely mean.

Who it's for

Treble and mixed ensembles looking for holiday repertoire with actual musical substance. This works for groups with 8 to 24 singers, skilled enough to manage a cappella intonation but not necessarily experienced in jazz harmony.

How to get the most out of it

  • Find the warmth in the harmonic movement rather than pushing for volume; these chords reward singers who listen horizontally to their line and vertically to the overall sound.
  • Balance the familiar melody against the supporting voices. The song succeeds when your audience hears the tune immediately while noticing the crafted harmony underneath.
  • Let silence and space breathe as much as the singing itself. A cappella performance demands careful phrase shaping and release precision to avoid cloudiness.

How to use it

Pair this with contrasting festive selections to create dynamic concert programming. The understated elegance makes it ideal for concert closings or program transitions where you want to shift audience energy toward reflection. It also works well as a featured moment mid-program when singers need to demonstrate control and blend rather than power.

Skills your students will build

  • Sustaining intonation across jazz harmonies without instrumental support
  • Balancing an exposed melody against four-part harmony
  • Shaping phrases through breath control in a cappella contexts
  • Reading accidentals and non-traditional harmonic movement
  • Blending voices while maintaining individual line independence

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