Christmas Time Is Here: 2nd B-flat Tenor Saxophone Sheet Music Preview

Christmas Time Is Here: 2nd B-flat Tenor Saxophone

Arr. David Pugh

Grade: 2 (Medium Easy)

Item: 00-PC-0015234_TX2

Digital Download
$3.00
Description
This ever-popular Christmas song from the 'Charlie Brown Christmas' television special is also a great jazz ballad. The chord changes are very lush. David Pugh has arranged this chart at a medium easy level that any band can put together in a hurry at Christmas time. If you need Christmas music for your jazz program, you should play this beautiful jazz-oriented holiday song and use it as a learning experience. (3:32)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Time Is Here: 2nd B-flat Tenor Saxophone comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 72
SKU: 00-PC-0015234_TX2

More about this title

Why we love this

Pugh has threaded the needle between accessibility and musicality here. Grade 2 students can learn from lush jazz harmony without drowning in complexity, and the arrangement sounds polished enough that your winter concert audience won't suspect how quickly your ensemble pulled it together.

What to expect

Tender and unhurried. The melody sits in a comfortable register while the chord voicings create warmth and subtle color underneath. This is gentle jazz that invites listening rather than demands attention.

Who it's for

Jazz ensembles at the Grade 2 level looking for authentic holiday literature that doesn't sacrifice musicianship for speed. Directors who need a recognizable tune students will enjoy learning and audiences will recognize, paired with real jazz harmony worth hearing.

How to get the most out of it

  • Balance the melody against the harmonic movement. The chord changes are rich enough to carry real weight on their own; resist the urge to double the lead line heavily.
  • Establish a settled, rubato-friendly tempo during the first runthrough. This ballad breathes, and rushing it flattens the emotional payoff.
  • Let the rhythm section lock the harmonic pocket early. Once bass and comping instruments find their groove, soloists and melody players have a secure foundation to shape phrases against.

How to use it

Program this alongside other holiday selections if you're building a winter concert with mixed repertoire, or feature it as the anchor of a jazz-focused holiday set. The medium-easy level makes it viable for mid-November rehearsals when holiday programming needs emerge but your ensemble's chops aren't fully developed yet.

Skills your students will build

  • Reading and responding to lush jazz chord changes
  • Balancing melody and harmonic accompaniment in ensemble texture
  • Shaping phrased lines with rhythmic independence
  • Distinguishing ballad touch from straight-ahead swing feel

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