Christmas Time Is Here Sheet Music Preview

Christmas Time Is Here: 2-Part Choral Octavo

Arr. David Pugh

Level: Easy

Item: 00-PO-0002252

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
This skillfully crafted arrangement of the title song from the legendary holiday cartoon, A CHARLIE BROWN CHRISTMAS, is superb. The vocal parts ebb and flow with the lush harmonies of the accompaniment. The SATB voicing features some close harmonies, while the three-part mixed vocals are triadic in nature. The two-part rendition is mostly unison with scattered repeated two-part sections. A definite holiday pleaser!

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0002252

More about this title

Why we love this

Pugh's arrangement captures the warmth and accessibility that make this Vince Guaraldi classic enduring, while keeping the two-part voicing genuinely singable for younger or developing choirs. The scattered two-part sections feel organic rather than forced, giving singers a taste of harmony work without abandoning the unison foundation that keeps the piece cohesive.

What to expect

Nostalgic and intimate, with the gentle melancholy that defines the original tune. The unison passages feel direct and clear, while the harmonic moments add warmth without complexity, creating a performance that feels both familiar and freshly arranged.

Who it's for

Young and developing choirs, beginning singers, and programs seeking accessible holiday repertoire that still demands musical maturity. This works equally well for school choirs building confidence and community ensembles looking for genuine, well-crafted seasonal material.

How to get the most out of it

  • Shape the phrases to follow the contours of the melody rather than singing through breath marks mechanically; let the lush accompaniment guide where you release and breathe.
  • Highlight the two-part sections by tuning them carefully; even brief harmony passages deserve attention to blend and intonation so they land with clarity.
  • Balance the vocal line against the accompaniment so it rises above without straining; this arrangement is designed to sit comfortably within the texture, not fight it.

How to use it

Pair this with other holiday selections to create a concert that balances humor and heart; its easy accessibility makes it ideal for the first half of a program where you want to draw in the audience without technical demands. It also serves as a strong encore piece, leaving listeners in a reflective holiday mood.

Skills your students will build

  • Singing unison melody with accurate pitch and consistent tone quality
  • Sustaining two-part harmony in brief sections while maintaining blend
  • Responding to accompaniment texture and adjusting balance accordingly
  • Interpreting a well-known melody with fresh phrasing and expression

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