Christmas Stylings: Modern & Bright, Book 1 Cover Image

Christmas Stylings: Modern & Bright, Book 1: Piano Book

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Christmas Stylings: Modern & Bright, Book 1 Cover Image

Christmas Stylings: Modern & Bright, Book 1: Piano Book

Fresh New Keyboard Arrangements of Traditional Favorites

Arranged by Sharon Aaronson

Level: Intermediate / Late Intermediate

Item: 00-6014

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Description
This wonderful collection of intermediate arrangements of standard Christmas favorites will really "jazz up" the holiday season. A combination of traditional and jazz harmonies with contemporary rhythmic and melodic treatment provide the pianist with a lively and distinctive repertoire. Titles: Angels We Have Heard on High * The First Noel * Fum, Fum, Fum * God Rest Ye Merry, Gentlemen * Good King Wenceslas * Hark! The Herald Angels Sing * O Come, Little Children * Silent Night * Toyland

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Additional Details
Publisher: Alfred Music
Page Count: 24
UPC: 038081010168
SKU: 00-6014

More about this title

Why we love this

Aaronson refuses to settle for tired Christmas arrangements. These nine standards get fresh harmonic language and rhythmic vitality without losing their melodic identity, which means your students stay engaged through holiday rehearsals instead of sleepwalking through familiar carols. The blend of traditional and jazz voicings gives pianists real material to sink their teeth into.

What to expect

These arrangements breathe with modern energy while honoring the warmth of Christmas standards. Sophisticated harmonies and contemporary rhythmic phrasing create an intimate, refreshed quality, as if these beloved melodies are being heard in a stylish jazz lounge rather than a traditional concert hall.

Who it's for

Intermediate to late intermediate pianists who are ready to move beyond basic carol arrangements but still need clear pedagogical structure. This collection works well for students preparing solo repertoire for winter recitals or those performing in holiday contexts where something more sophisticated than beginner-level material is appropriate.

How to get the most out of it

  • Listen closely to how Aaronson treats the bass line in each piece; these aren't just supporting voices but active musical partners that often carry contemporary rhythmic figures worth highlighting.
  • Balance the jazz harmonies with clear articulation on the melody so the familiar tunes remain recognizable even when surrounded by sophisticated voicings.
  • Experiment with tempo flexibility in the slower pieces; the contemporary treatment can support subtle rubato that feels natural rather than rigid.

How to use it

Perfect for a holiday recital that needs to appeal to audiences expecting tradition but deserving artistry. You can also use individual pieces throughout December for pre-concert warm-ups or special events, since the collection spans accessible to more challenging arrangements within the same volume.

Skills your students will build

  • Reading jazz voicings and extended harmonies (7ths, 9ths, altered chords)
  • Balancing melody against complex accompaniment textures
  • Interpreting contemporary rhythmic figures in the context of familiar material
  • Executing smooth voice leading when moving between traditional and modern harmonic language

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