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Christmas Singalong: Full Orchestra, Conductor Score

$65.00 USD
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Christmas Singalong Cover Image

Christmas Singalong: Full Orchestra, Conductor Score

By John Finnegan/ A reproducible lyric sheet of these traditional Christmas carols is included in the set and also included in the score.

Item: 36-OSM1240FS

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Description
This wonderful medley Christmas Singalong has been arranged by John Finnegan and makes a phenomenal addition to any holiday concert. Included: 1. "Jingle Bells"; 2. "Joy to the World"; 3. "It Came Upon the Midnight Clear"; 4. "Hark! The Herald Angels Sing"; 5. "Silent Night"; 6. "Away in a Manger"; 7. "Deck the Hall"; 8. "O Come, All Ye Faithful." A reproducible lyric sheet is included in the set.

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Additional Details
Series: Olde Salem Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-898100-90-6
ISBN13: 979-8-898100-90-2
UPC: 605258786920
SKU: 36-OSM1240FS
Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(3-4): Hp(opt.): Str (9-8-7-6-5 in set): Audience Sing-along

More about this title

Why we love this

Finnegan's arrangement respects each carol's melodic identity while building genuine orchestral color around them. The sing-along format transforms a concert moment into something participatory, your audience becomes part of the performance rather than observers of it.

What to expect

Eight beloved carols unfold in orchestral dress, moving from the bright energy of "Jingle Bells" through the reverent beauty of "Silent Night." Your orchestra surrounds each melody with warmth and color, inviting the audience to sing the top line and feel genuinely part of the celebration.

Who it's for

Conductors programming holiday concerts for symphonic orchestras, pops ensembles, or community orchestras where audience engagement amplifies the festive spirit. Directors looking for a sophisticated yet accessible way to include non-musicians in their December performances.

How to get the most out of it

  • Rehearse the lyric sheet with your audience before the performance or project it clearly. A quick run-through of one verse ensures confident singing and prevents the moment from feeling awkward.
  • Balance the orchestration so the singers can hear themselves. The optional harp adds shimmer without overwhelming; use it selectively across the medley rather than throughout.
  • Shape each carol's entrance distinctly. Moving from "Joy to the World" into "It Came Upon the Midnight Clear" requires a breath and a clear gesture so the transition feels intentional, not abrupt.
  • Let the percussion section anchor the tempo; singers will follow a steady rhythmic pulse more reliably than a lyrical swell.

How to use it

Position this as your finale or penultimate piece when you want the concert to end on a communal note. It works especially well following a shorter, more formal orchestral work, the contrast in mood and the shift from listening to participating gives your audience a satisfying sense of occasion.

Skills your students will build

  • Balancing melodic clarity with harmonic accompaniment in a large ensemble
  • Responding to conductor cueing during medley transitions
  • Adjusting dynamic range to support a sung text without overshadowing it
  • Sustaining intonation across multiple key areas within one piece

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