Christmas on Broadway Sheet Music Preview

Christmas on Broadway: Concert Band Conductor Score & Parts

Arranged by John Higgins

Grade: 3

Item: 35-PK00476683

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$80.00

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Description
Give some Broadway pizzazz to your holiday program with this spectacular medley for band and optional choir. This sparkling arrangement is a perfect concert closer. Includes: "God Bless Us Everyone, It's Beginning to Look Like Christmas, March of the Toys, My Favorite Things, Pine Cones and Holly Berries, Toyland" and "We Need a Little Christmas".

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00476683

More about this title

About the Arranger: John Higgins

John Higgins is a prolific arranger whose work has become a staple in school music programs across the country. His arrangements balance accessibility with musicality, consistently finding the sweet spot between technical feasibility and genuine artistic satisfaction for student musicians.

Why we love this

Higgins weaves seven distinct melodies into a cohesive medley that never feels rushed or cluttered. The arrangement showcases band sounds effectively without getting bogged down in register-specific writing, so each section has moments to shine. It's the rare holiday concert closer that energizes audiences without exhausting your students.

What to expect

Expect festive brightness and theatrical flair without saccharine excess. The arrangement captures the warmth and charm of these familiar songs while maintaining the kind of musical coherence that keeps listeners engaged from the opening phrase through the final tutti.

Who it's for

Concert bands at the Grade 3 level looking for a holiday program closer that combines recognizable material with genuine musicianship. This works equally well for groups playing at winter concerts, holiday community events, or pops-style shows.

How to get the most out of it

  • Keep the tempo of the opening "God Bless Us Everyone" unhurried; letting it breathe sets up the energy shifts that follow.
  • Bring out the woodwind color in "My Favorite Things" where it sits; this moment provides textural contrast before the final push.
  • Balance the optional choir against band forces carefully during ensemble sections. The choir should enhance, not overpower, the band's fundamental texture.
  • Mark clear transition points between medley sections so your ensemble recognizes when the style or harmonic context shifts.

How to use it

Save this for your concert finale when you want audiences leaving with genuine joy and your students with a sense of accomplishment. It pairs beautifully after more serious holiday repertoire or chamber works, resetting the room's energy for a satisfied conclusion.

Skills your students will build

  • Connecting distinct melodic ideas through coherent arranging
  • Navigating sectional balance in heterophonic textures
  • Responding to tempo and style changes within a continuous form
  • Ensemble precision during fast rhythmic passages
  • Negotiating optional choir parts while maintaining band integrity

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