David Carr Glover and Louise Garrow arrangements. Use in sequence for those just learning, or out of sequence for the experienced player. Contents include: Angels We Have Heard on High * Deck the Halls * It Came Upon a Midnight Clear * Jolly Old St. Nicholas * The Holly and the Ivy * We Three Kings of Orient Are and more.
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David Carr Glover was a prolific arranger and pedagogue who shaped elementary and intermediate piano education throughout the 20th century. His systematic approach to introducing new concepts made him a trusted voice in music schools, and his arrangements remain widely used because they balance accessibility with genuine musicality.
Why we love this
These arrangements respect the intelligence of young pianists while keeping technical demands reasonable for early levels. The mix of familiar carols means students feel the reward of playing recognizable music almost immediately, which builds confidence and motivation during those crucial first months of study.
What to expect
There's genuine warmth here without sentimentality. These carols arrive in straightforward, singable arrangements that invite students to hear melody and harmony working together rather than feeling like obstacles to overcome.
Who it's for
This collection serves students in their first year or two of lessons who are ready for short, complete pieces rather than exercises. Teachers can use these either as a progressive sequence or dip in and out based on their curriculum, making the book flexible for different learning paths.
How to get the most out of it
Pay attention to dynamic markings even in simple pieces; they're often what separates a flat reading from an expressive one.
Let the harmonic rhythm guide your phrasing rather than playing strictly note-by-note; these arrangements have clear harmonic motion underneath.
If fingering suggestions are provided, follow them initially, then experiment with alternatives once the piece is solid to find what feels natural.
Use the pieces as technical preparation: identify hand position changes, interval jumps, or repeated patterns that reinforce specific skills.
How to use it
Build a student recital in December around 2 or 3 of these pieces, pairing them with other works at the same level to create a cohesive 15 to 20 minute set. Alternatively, use individual arrangements throughout the fall to give lessons a seasonal context as the holidays approach.
Skills your students will build
Reading treble clef with notes in and around the staff
Coordinating both hands in simple accompaniment patterns
Recognizing common harmonic progressions by ear
Maintaining steady tempo in four-part phrase structures
Executing basic dynamic and articulation markings
Transitioning between adjacent hand positions
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