Christmas Kum Ba Ya: SAB Choral Octavo
Traditional Spiritual / arr., with new words and music, by Jay Althouse
Item: 00-PO-0007129
Minimum order quantity: 20 copies
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both the publishing industry, where he spent eight years in rights and licensing administration, and composition, resulting in over 800 choral works performed regularly across the English-speaking world. He holds membership in ASCAP and has been a multiple recipient of the ASCAP Special Award.
Beyond individual compositions, Althouse has shaped music education through collaborative projects and pedagogical resources. He co-wrote several children's musicals with Sally K. Albrecht, compiled respected vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored foundational classroom texts like The Complete Choral Warm-up Book and Accent on Composers. His arrangement I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America.
Why we love this
Althouse threads three distinct musical ideas into one cohesive statement: the familiar spiritual, an original Christmas text, and a driving chant-like chorale that layers all voices for maximum impact. The SAB voicing sits naturally for mixed ensembles without sacrificing the arrangement's sophistication, and the optional African percussion adds textural depth without demanding specialized skills. What makes this work genuinely effective is how it builds momentum toward the final section rather than simply stacking ideas on top of each other.
What to expect
The piece opens with spiritual warmth and reverence, then shifts emotional gears when the Christmas chorus enters with new energy. By the final chorale, all three vocal strands weave together into something almost hypnotic, creating a sense of collective unity that feels both joyful and deeply grounded.
Who it's for
SAB choirs preparing holiday concerts who want authentic multicultural content that challenges singers without overwhelming them. Directors seeking Christmas repertoire with substance and originality will find this arrangement refreshingly different from standard seasonal fare.
How to get the most out of it
- Clarify the rhythmic foundation in rehearsal before adding the Christmas chorus melody; the traditional tune and new text need independent security before they interact.
- Shape the chorale section with dynamic control and deliberate tempo, as the chant-like quality depends on unified articulation across all three parts.
- If using African percussion, introduce those instruments in sectionals first so singers stay focused on their own lines while instruments establish the texture.
- Record a run-through with the SoundTrax accompaniment at performance tempo early in rehearsal; it reveals balance issues and solidifies your group's interpretation quickly.
How to use it
Program this as a centerpiece of your holiday concert's second half, where its contemplative opening can settle the audience before building toward the jubilant finale. The piece also works beautifully in a context that highlights world music traditions, paired with repertoire from other cultures or as part of a thematic program celebrating spiritual traditions across communities.
Skills your students will build
- Layering independent melodic lines while maintaining ensemble cohesion
- African rhythmic sensibility and ensemble percussion integration
- Dynamic control and phrasing across contrasting musical sections
- Textual clarity when singing with multiple melodic ideas simultaneously