Christmas Jig Cover Image

Christmas Jig: Concert Band Conductor Score & Parts

$95.00 USD
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Christmas Jig Cover Image

Christmas Jig: Concert Band Conductor Score & Parts

(I Saw Three Ships, Behold A Simple Tender Babe, Sussex Carol)

By Kurt Heinecke / Orchestrated by Coleman Jackson

Grade: 3.5

Item: 98-RWS264500

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Description
The melodies of "I Saw Three Ships" and "Sussex Carol" intertwine with a lively 1800s tune in this joyous 6/8 Irish dance in this special holiday setting. Sections trade energetic lines while percolating percussion drives the piece to a festive, spirited finale!

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-8569-8
ISBN13: 978-1-4706-8569-0
UPC: 038081619583
SKU: 98-RWS264500

More about this title

Why we love this

Kurt Heinecke crafts holiday repertoire that avoids saccharine arrangements without sacrificing the warmth directors expect in December concerts. The interweaving of two recognizable carols with an original 1800s tune shows compositional restraint and clarity; the melodies stay memorable while the arranging Coleman Jackson brings genuine freshness to overfamiliar material.

What to expect

A village square transformed for winter celebration: familiar carol melodies dance past each other in bright, overlapping patterns while percussion sparkles like frost catching light. The 6/8 meter propels the band forward with an irresistible lightness that builds to a thoroughly joyous, spirited conclusion.

Who it's for

Directors programming a Grade 3½ concert band who want a holiday piece with genuine musical substance and a jig's infectious energy rather than a medley. Bands comfortable with transparent orchestration and sectional interplay will thrive with this arrangement.

How to get the most out of it

  • Establish a steady eighth-note pulse in the percussion; the jig's character lives in rhythmic precision, not rubato. A loose sense of time will flatten the natural lilt.
  • Balance the carol melodies against the underlying 1800s tune so listeners hear both layers. This requires careful dynamic shaping in the middle voices, they're not just filler.
  • Let the trading of lines between sections happen cleanly. Mark clear cutoffs in your score so players know exactly when to release and pass the baton to the next group.
  • Build toward that finale steadily. Resist the urge to rush; the festive spirit comes from rhythmic precision and ensemble lock, not tempo inflation.

How to use it

Position this as the closer to your holiday concert or as the upbeat second half of a longer Christmas medley set. Its Grade 3½ difficulty and celebratory energy make it an excellent palate cleanser after a slower, more reverent carol arrangement.

Skills your students will build

  • Sight-reading in compound meter (6/8)
  • Balancing multiple melodic lines within ensemble scoring
  • Sectional independence and controlled trading of material
  • Energy control and pulse steadiness in dance-based rhythms
  • Dynamic balance between melodic and accompaniment textures

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