Christmas Isn't Christmas Cover Image

Christmas Isn't Christmas: SSA Choral Octavo

$2.10 USD
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Christmas Isn't Christmas Cover Image

Christmas Isn't Christmas: SSA Choral Octavo

Words and music by Dan Smyers, Shay Mooney, Jordan Reynolds, and Andy Albert / arr. Jack Zaino

Item: 00-50199

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Description
"Christmas isn't Christmas if it's not with you." Nashville music duo Dan + Shay wrote this sentimental ballad with their families in mind. The sweet melodic hook and a heartfelt text translate beautifully for choral singing. Stage an intimate performance with piano alone, invite a guitar player to strum along for some contemporary color, or use the orchestrated SoundTrax for full effect.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081573694
SKU: 00-50199

More about this title

About the Composer: Dan Smyers

Dan Smyers is one half of the Grammy-winning country duo Dan + Shay, known for crafting deeply personal songs that resonate across mainstream country and pop audiences. As a composer and performer, Smyers has spent years writing music that balances commercial appeal with genuine emotional depth, making him a natural fit for choral arrangement projects that require both accessibility and authenticity.

Why we love this

This arrangement captures the intimacy of the original without losing its contemporary sensibility. Jack Zaino's writing sits perfectly in SSA voices, giving singers a melodic hook that's genuinely memorable while the text lands with immediate sincerity. It works equally well as a concert closer or a holiday showcase feature.

What to expect

Warm and intimate, like someone sharing a quiet confession with people they love. The melody unfolds with gentle clarity, and the harmonic support from the other voices wraps around it like a comfortable familiarity. This is sentimental without saccharine.

Who it's for

SSA choirs looking for contemporary seasonal repertoire that feels fresh without being difficult. Directors seeking a piece that connects with students who know the song's radio presence and want to see it authentically arranged for voices.

How to get the most out of it

  • Lean into the conversational tone of the opening; this song works best when it feels like your singers are speaking directly to the audience, not performing at them.
  • Use dynamic contrast between sections to maintain interest across the octavo's length. The simplicity of the melody demands subtle shaping in tempo and volume.
  • If you choose the piano-only accompaniment, bring out the inner voices in the chorus to avoid thinness in the texture; the recorded accompaniment handles this automatically.
  • Balance sentiment with restraint in the final phrase. Let the text breathe rather than over-emoting; the melody and lyrics do the emotional work.

How to use it

Position this as a concert highlight during the holiday season, or open a winter concert with it to immediately establish an emotional connection with your audience. The piece pairs naturally with more traditional carols or other contemporary pop arrangements, giving you flexibility in building a cohesive program.

Skills your students will build

  • Sustaining lyrical lines without sacrificing text clarity
  • Balancing three-part harmony in close voicings
  • Responding to contemporary melodic shapes and phrasing
  • Blending with instrumental accompaniment options (piano, guitar, full SoundTrax)

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