Christmas in the Round Cover Image

Christmas in the Round: Concert Band Conductor Score & Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
Skip to product information
Christmas in the Round Cover Image

Christmas in the Round: Concert Band Conductor Score & Parts

A Holiday Prism for Band

Arr. Robert W. Smith

Grade: 3 (Medium Easy)

Item: 00-BDM00050

makemusic Cloud badge

Need it now?

Buy Digital Version
$75.00
Shipped

One moment…

Description
Subtitled "A Holiday Prism for Band," this work can be presented in a theater-in-the-round format or more traditionally on the concert stage. Following a broad introduction, each family of the band presents their independent carol. Carols include "The Ukrainian Bell Carol," "Silent Night," "What Child Is This?" "Jingle Bells," "Joy to the World," "Deck the Halls," "We Wish You a Merry Christmas," and "God Rest Ye Merry Gentlemen." Prepare the introduction and the finale then let the sections prepare their own carol. Include them all or not. Traditional, contemporary, humorous, and stately, each choir brings a unique facet to this holiday prism. A valuable contribution to the holiday literature.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas in the Round: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 328
UPC: 654979185666
SKU: 00-BDM00050

More about this title

About the Arranger: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among the most frequently performed composers and arrangers of concert band and orchestral music in the United States. His catalog exceeds 400 published works, the vast majority issued through Alfred Music. He earned his Bachelor of Music Education from Troy State University in Alabama and completed graduate studies at the University of Miami.

Smith's compositions for concert band and orchestra have circulated internationally across North America, Europe, Australia, and Asia. Works like The Tempest and his first two symphonies (The Divine Comedy and The Odyssey) have become core repertoire for developing ensembles. Beyond the concert hall, his music has appeared on major television broadcasts, from the Macy's Thanksgiving Day Parade to Olympic coverage, and in ceremonial contexts worldwide. He maintains an active schedule as conductor and clinician across the United States, Canada, Japan, Australia, and Europe.

Why we love this

Smith's arrangement transforms the typical holiday concert into something genuinely flexible. You can perform the entire work as written, select only certain sections, or present it in a theater-in-the-round configuration, giving you real programming options rather than a fixed structure. The sectional design creates natural rehearsal independence: brass, woodwind, and percussion families each own their carol while relying on shared introduction and finale, which builds ensemble ownership while reducing full-band rehearsal time.

What to expect

The piece unfolds like opening a music box with eight different mechanisms. You hear the introduction as a unifying frame, then shift perspective repeatedly as each instrumental family steps forward with their own carol, ranging from the solemnity of Silent Night to the spirited bounce of Jingle Bells. The variety creates a conversational quality, as though different voices are sharing their favorite traditions around the same table.

Who it's for

Directors seeking repertoire that accommodates varying ensemble sizes and skill levels, from those fielding a complete concert band to those building programs with younger or developing musicians. This works for holiday concerts that need something beyond standard fare, yet remain Grade 3 accessible.

How to get the most out of it

  • Establish the introduction's broad character first as your musical anchor. Every section needs to hear and internalize this opening, as it frames how their individual carol will be received.
  • Let each section rehearse their carol away from the full band initially. This builds confidence and allows for stylistic choices (whether lyrical, rhythmic, or playful) before bringing them into the ensemble framework.
  • Balance the emotional arc across all eight carols. The mix of stately, humorous, traditional, and contemporary treatments means some pieces will naturally settle differently in the listener's ear; ensure transitions feel intentional rather than erratic.
  • If performing in theater-in-the-round, position sections strategically during sectional passages. The spatial variety reinforces each family's independence and keeps the audience engaged across a nontraditional listening experience.

How to use it

Program this as a concert centerpiece that can anchor your entire holiday show, or select specific carols to pair with other seasonal literature depending on your ensemble configuration that rehearsal season. The built-in flexibility also makes it ideal for special events beyond concerts: pep band configurations, community holiday celebrations, or even informal performances where full instrumentation may not be available.

Skills your students will build

  • Independent sectional musicality and phrasing (learning to balance individual voice work with ensemble cohesion)
  • Stylistic flexibility across traditional hymns, contemporary arrangements, and character pieces
  • Preparation strategies for sectional independence (allowing students to own specific material before full integration)
  • Ensemble listening and balance across eight distinct melodic ideas

You May Also Like