Christmas In The Air (Medley) Sheet Music Preview

Christmas In The Air (Medley): 2-Part Choral Octavo

Arranged by Cristi Cary Miller

Item: 35-DS00262442

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00262442

More about this title

About the Arranger: Cristi Cary Miller

Cristi Cary Miller is an arranger known for creating accessible choral works that balance musicality with practical performance demands. Her arrangements prioritize clarity and singability while maintaining engaging harmonic and textural choices that keep singers and audiences invested.

Why we love this

Miller crafts a medley that feels cohesive rather than patchworked, with transitions that let the ensemble breathe between familiar songs. For choirs still building confidence with blend and intonation, the two-part writing offers room to grow without overwhelming singers, and the holiday context gives your December concert immediate warmth and audience connection.

What to expect

Warm and unpretentious. The two-part voicing gives singers room to hear both themselves and each other, creating the kind of clean, friendly blend that captures the comfort of familiar holiday music. There's joy here without sentimentality.

Who it's for

Two-part choirs at the middle school or early high school level, as well as community and church choirs looking for straightforward yet polished holiday repertoire. This works especially well for ensembles preparing a winter concert or special holiday service.

How to get the most out of it

  • Identify the key centers of each song within the medley and rehearse transitions deliberately. Knowing when you're modulating helps the ensemble adjust intonation with intention rather than drifting.
  • Balance the two parts by listening for the lower line. In mixed-ability choirs, the second part often gets buried; giving it deliberate attention during rehearsal prevents the arrangement from collapsing into unison.
  • Consider the pacing between medley sections. A brief breath or held fermata can reset the ensemble's focus and prevent rushing through transitions that otherwise might feel awkward.

How to use it

Place this in the second half of a holiday concert where the audience has settled in and is ready for singalong energy. It pairs well after a more substantial choral work and can anchor a set of contrasting holiday selections, giving listeners a moment of pure familiarity and ease.

Skills your students will build

  • Singing with independence in a two-part texture while maintaining awareness of the full harmonic picture
  • Managing intonation in medley transitions where key centers shift
  • Phrasing and breathing across multiple songs within a single arrangement
  • Blend and balance between equal voice parts

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