Christmas in Río: Concert Band Conductor Score & Parts
(O Tannenbaum)
Traditional / arr. Victor López
Grade: 2
Item: 00-PK-0009228
$65.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Christmas in Río: Score | $10.00 | |
| Christmas in Río: Flute | $3.00 | |
| Christmas in Río: Oboe | $3.00 | |
| Christmas in Río: Bassoon | $3.00 | |
| Christmas in Río: 1st B-flat Clarinet | $3.00 | |
| Christmas in Río: 2nd B-flat Clarinet | $3.00 | |
| Christmas in Río: B-flat Bass Clarinet | $3.00 | |
| Christmas in Río: E-flat Alto Saxophone | $3.00 | |
| Christmas in Río: B-flat Tenor Saxophone | $3.00 | |
| Christmas in Río: E-flat Baritone Saxophone | $3.00 | |
| Christmas in Río: 1st B-flat Trumpet | $3.00 | |
| Christmas in Río: 2nd B-flat Trumpet | $3.00 | |
| Christmas in Río: 1st F Horn | $3.00 | |
| Christmas in Río: 1st Trombone | $3.00 | |
| Christmas in Río: Baritone B.C. | $3.00 | |
| Christmas in Río: Baritone T.C. | $3.00 | |
| Christmas in Río: Tuba | $3.00 | |
| Christmas in Río: Electric Bass | $3.00 | |
| Christmas in Río: Mallets | $3.00 | |
| Christmas in Río: 1st Percussion | $3.00 | |
| Christmas in Río: 2nd Percussion | $3.00 | |
| Christmas in Río: Timpani | $3.00 |
Parts Added to Cart!
Description
Written in a bossa nova style, Christmas in Rio, by Victor López, features a smooth alto sax solo, with optional trumpet cues. Perfect for young bands, it offers a fresh and engaging way to blend holiday tradition with the vibrant sounds of Brazil. (1:50)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas in Río: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Belwin Young Band
Publisher:
Alfred Music
SKU:
00-PK-0009228
More about this title
About the Arranger: Victor López
Victor López is a prolific composer and arranger whose work spans concert band, orchestra, and wind ensemble literature. His arrangements for young and developing bands are known for balancing accessibility with musical substance, giving students repertoire that sounds sophisticated without requiring advanced technical skills.
Why we love this
López captures the rhythmic warmth of bossa nova in a way that young bands can execute convincingly. The alto sax solo is the centerpiece, giving your section leader a moment to shine while the band provides tasteful accompaniment; the optional trumpet cues ensure players who don't read alto clef can still participate fully.
What to expect
Breezy, tropical, and warm. The bossa nova rhythm gives the band an immediate sense of style and movement, while the holiday melody keeps the piece rooted in the season. It sounds like you're rehearsing in Rio during December.
Who it's for
Grade 2 bands with at least one solid alto sax player and a rhythm section comfortable with Latin feels. This works equally well for young bands taking their first steps into non-traditional holiday programming and for developing bands wanting accessible contemporary pops material.
How to get the most out of it
- Lock the rhythm section (bass and drums) into a steady samba feel before rehearsing with the full band. The bossa nova groove depends on consistent subdivision and swing.
- Feature your alto sax soloist in early rehearsals and give them time to find the style. This isn't classical phrasing; it's conversational and slightly laid-back.
- Balance the brass so they support rather than dominate the groove. The writing is lean by design, and heaviness will bury the bossa nova character.
- Use the optional trumpet cues judiciously. Assign them only if your trumpet section needs the reinforcement; omitting them preserves transparency and lets the alto sax breathe.
How to use it
Program this early in a holiday concert to set an upbeat, modern tone before moving into traditional carols. At under two minutes, it's an ideal opener or palate cleanser between heavier pieces. The Brazilian flavor also works well alongside other world-music or pops selections in a concert celebrating cultural traditions.
Skills your students will build
- Latin rhythm feel and swing subdivision
- Supporting a solo with tasteful ensemble accompaniment
- Reading and executing optional cues
- Balancing transparency and groove in a contemporary pop idiom