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Christmas Hits for Teens, Book 3: Piano Book

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Christmas Hits for Teens, Book 3 Cover Image

Christmas Hits for Teens, Book 3: Piano Book

8 Graded Selections for Late Intermediate Pianists

Arranged by Dan Coates

Level: Late Intermediate

Item: 00-46124

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Description
The Christmas Hits for Teens series presents carefully leveled, accessible arrangements for the teenage pianist. Titles: The First Noel * Good King Wenceslas * Have Yourself a Merry Little Christmas * (There's No Place Like) Home for the Holidays * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * O Holy Night * Up on the Housetop.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-3886-X
ISBN13: 978-1-4706-3886-3
UPC: 038081530734
SKU: 00-46124

More about this title

About the Arranger: Dan Coates

Dan Coates

Dan Coates has been shaping how pianists experience popular music since 1976, building a catalog of arrangements that spans film scores, Broadway, and contemporary hits. His work has earned the respect of major composers and artists including John Williams, Burt Bacharach, and Elton John, all of whom have relied on his ability to preserve the character and appeal of original compositions while making them accessible to pianists at specific skill levels. Beyond arrangements, Coates composes original works designed for student pianists, giving him insight into what motivates young players.

With more than 4.4 million copies sold, Coates stands among Alfred Music's most published arrangers. His prolific output reflects a deep understanding of how to pitch musical content to different abilities without sacrificing musicality or engagement.

Why we love this

These arrangements balance accessibility with genuine musicality, letting teenage pianists play recognizable, beloved holiday songs without hitting walls of difficulty. The collection mixes well-known secular favorites with sacred standards, giving you programming flexibility for holiday recitals, studio performances, or casual holiday gatherings. Coates' thirty-year track record means each arrangement respects both the original melody and the player's developing technique.

What to expect

These eight arrangements capture the warmth and familiarity of holiday classics without the weight of advanced technique. Each piece invites the pianist to inhabit melody lines that audiences know by heart, creating a shared musical moment that feels both personal and celebratory.

Who it's for

Teenage pianists working at the late intermediate level who enjoy holiday repertoire and benefit from familiar, culturally resonant material. Studio teachers seeking varied, engaging pieces for holiday recitals or December lesson plans will find songs that appeal to performers and audiences alike.

How to get the most out of it

  • Shape the melody line with careful attention to phrasing; these familiar songs depend on singers' interpretations, so let your right hand sing the tune distinctly while maintaining light accompaniment underneath.
  • Listen to recorded versions of songs you may not know well before learning them; having the melody in your ear helps you understand the arrangement's choices and informs your interpretive decisions.
  • Work out the rhythm and hand coordination separately if any passages feel clunky; late intermediate pianists sometimes rush through transitions, so practice the trickiest hand switches at a slow, comfortable tempo first.
  • Balance texture by keeping left-hand accompaniment supportive rather than heavy; these arrangements are written lean intentionally, so resist the urge to add more dynamics than marked.

How to use it

Program individual songs in a holiday recital to give teenage pianists solo performance opportunities that build confidence through recognizable material. Pair selections from this book with student compositions or arrangements to create a thematic concert set, or feature one piece as a bridge between a classical program and contemporary seasonal music.

Skills your students will build

  • Phrasing and shaping melody lines in familiar musical contexts
  • Coordinating hands in moderate-tempo accompaniment patterns
  • Sight-reading skills through varied but accessible rhythmic and harmonic language
  • Interpreting articulation and dynamic markings to enhance melody recognition
  • Managing multiple textures and sustain pedal use across different song styles

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