Christmas, Here We Come!: 2nd B-flat Clarinet
Arr. Sally K. Albrecht and John O'Reilly
Grade: 2 (Medium Easy)
Item: 00-PC-0000529_C2
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas, Here We Come!: 2nd B-flat Clarinet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers and later through her prolific output as a composer and arranger. With more than 600 choral publications and 75 songbooks and musicals in print, she has earned the ASCAP Special Music Award every year since 1987. She has guest conducted honor choirs and festival ensembles at Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and was honored as a Distinguished Alumna by both the University of Miami Frost School of Music and Rollins College in 2021.
Why we love this
This medley strikes the balance every director needs for holiday programming: immediately recognizable melodies that audiences love, straightforward conducting and part writing that Grade 2 bands can execute with confidence, and the optional addition of chorus parts to transform it into a full ensemble finale. Albrecht's gift for accessible writing shines throughout, making every section feel involved without overcomplicating the harmonic or rhythmic demands.
What to expect
Festive and forward-moving, with the warmth of beloved carols arranged in fresh voices. The bright orchestration and clear melodic phrasing evoke the energy of a caroling procession without ever feeling heavy or overly complex.
Who it's for
Band directors programming a Grade 2 holiday concert who want a piece that satisfies both ensemble and audience expectations without requiring extensive rehearsal time. This arrangement works equally well for conductors seeking a closing number strong enough to anchor a full concert or a shorter seasonal performance.
How to get the most out of it
- Balance the featured melodies across sections as they pass from one group to another; the arrangement's strength lies in clear voice leading that lets each carol shine without getting buried.
- If adding the choral parts, schedule joint rehearsals early enough to let both ensembles find their blend; the piece works best when the band and chorus lock in as a single unit for the finale.
- Give attention to transitions between carols; even in a medley format, clean sectional breaks and consistent tempos between tunes keep the performance feeling like a deliberate progression, not a collection of snippets.
- Let the familiarity of these melodies work in your favor by focusing rehearsal time on intonation and balance rather than note-learning; most students will already know these tunes.
How to use it
Reserve this for your holiday concert finale, especially if you plan to expand it with choral participation. It also serves effectively as a standalone seasonal opener or mid-concert brightener, giving both band and audience a moment of pure holiday joy without disrupting the flow of your overall programming.
Skills your students will build
- Balance and blend across four concert band voices
- Clear articulation in melodic passages and supporting figures
- Reading and performing familiar melodies in new harmonic contexts
- Coordinating ensemble sound when adding choral parts
- Clean sectional transitions and tempo consistency across multiple songs