Christmas, Here We Come! Cover Image

Christmas, Here We Come!: Concert Band Conductor Score & Parts

$48.00 USD
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Christmas, Here We Come! Cover Image

Christmas, Here We Come!: Concert Band Conductor Score & Parts

Arr. Sally K. Albrecht and John O'Reilly

Grade: 2 (Medium Easy)

Item: 00-22275

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Description
Christmas, Here We Come! is a bright medley of familiar Christmas favorites, including "Here We Come A-Caroling," "Over the River And Through The Woods," "I Saw Three Ships," "Deck the Halls," "The Holly And The Ivy" and snippets of several other tunes. While the piece is very effective as a stand-alone concert band arrangement, adding the choral parts will make it the perfect choice for a holiday concert finale.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas, Here We Come!: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 268
UPC: 038081229058
SKU: 00-22275

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, serving as Director of School Choral, Vocal, and Elementary Publications at major educational publishers including Alfred Music. A prolific composer and arranger with more than 600 published choral works and 75 songbooks and musicals in print, she has earned the ASCAP Special Music Award annually since 1987 and conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Her academic background spans music and the performing arts, with degrees from Rollins College (B.A. in Music and Theater), the University of Miami (M.A. in Drama and M.M. in Accompanying), and teaching experience at Oakland University, Jersey City State College, and Meredith College. Albrecht has served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021. She lives in North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

This medley captures the joy of holiday celebrations without overshadowing student performers at an accessible Grade 2 level. The inclusion of optional choral parts transforms a solid concert band arrangement into a flexible finale that works equally well as a standalone instrumental piece or as a festive climax with combined ensembles. Albrecht's skill at blending familiar melodies creates a coherent, energetic arc across six beloved carols, making it rewarding to conduct and genuinely fun to play.

What to expect

Bright and festive, with a sing-along character that audiences recognize immediately. The medley format builds momentum through six treasured carols, creating an irresistible sense of holiday celebration that feels both joyful and grounded in musical tradition.

Who it's for

Concert bands at the high school and middle school level, particularly programs seeking accessible repertoire for winter concerts. Directors looking to engage both instrumental and choral students in a unified holiday finale will find the optional chorus parts invaluable.

How to get the most out of it

  • Balance the melodic passages so the familiar tunes remain clear even as countermelodies and inner voices build texture. Brass players should support without overwhelming the woodwinds carrying the main themes.
  • Maintain consistent energy through the transitions between carols. Each melody shift should feel natural rather than abrupt, creating a seamless flow from one favorite to the next.
  • If adding the choral parts, rehearse the band and chorus separately first to establish security, then blend them gradually during combined rehearsals so both groups hear how their lines interact.
  • Let the rhythmic momentum and major-key brightness come through; resist the urge to slow down or oversentimental the arrangement. Grade 2 students often perform best when they can feel the underlying lift and forward motion.

How to use it

Reserve this for the concert finale, where its energy and familiarity create a memorable close that engages the audience. The Grade 2 accessibility also makes it ideal for early-season performances while developing ensemble confidence, or pair it with shorter character pieces earlier in the concert to build toward this showstopping closer.

Skills your students will build

  • Balancing multiple melodic lines within a single arrangement
  • Maintaining ensemble cohesion through rapid key relationships and melodic transitions
  • Performing with rhythmic precision in celebratory major-key contexts
  • Coordinating instrumental and vocal parts when choral sections are added
  • Building musicality from familiar material through intelligent phrasing and dynamic control

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