Christmas Day Will Soon Be Here! Cover Image

Christmas Day Will Soon Be Here!: 2-Part Choral Octavo

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Christmas Day Will Soon Be Here! Cover Image

Christmas Day Will Soon Be Here!: 2-Part Choral Octavo

Words and music by Mary Donnelly and George L. O. Strid

Item: 00-47589

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Description
All the glee and joy of a much-anticipated holiday bursts off the page in this cheerful, chipper showstopper, which features a nice balance of unison and beginning-level two-part singing. For an extra festive touch, add the optional glockenspiel part or the perky SoundTrax CD.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Day Will Soon Be Here!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081542829
SKU: 00-47589

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, where she earned a Bachelor of Arts from the University of Nevada, Reno with majors in English and French. While still an undergraduate, she organized children's choruses and discovered her passion for music education, leading her to pursue teacher certification. She completed a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, with a focus on integrating the arts across the curriculum. Over thirty years, she taught general music and choir in elementary and middle schools throughout the Washoe County School District.

In 1985, Donnelly met George Strid while co-teaching a sixth-grade music class. When their principal requested a musical for Reading Week, they collaborated on The Million Dollar Mystery, launching a prolific partnership. Together they have composed over two hundred songs and twenty-five musicals, establishing themselves as trusted voices in school music. Donnelly is an active member of ACDA, NEA, and ASCAP and continues to live in Reno with her husband.

Why we love this

This piece captures genuine holiday excitement without resorting to tired arrangements or heavy vocal demands. The shift between unison and two-part textures keeps young singers engaged while building confidence in part-singing, and the optional glockenspiel adds visual shimmer that audiences love without requiring advanced musicians to play it.

What to expect

Bright, infectious energy radiates throughout, like watching children's faces light up on Christmas morning. The melody bounces with genuine joy, and the interplay between unison moments and split-part harmony creates a sense of community and celebration that feels inclusive rather than polished.

Who it's for

Elementary and middle school choirs of mixed ability levels will find success with this piece. It works equally well for singers with little ensemble experience and for more seasoned groups looking for a high-energy holiday showstopper that doesn't require advanced technique.

How to get the most out of it

  • Keep the tempo energetic and the diction crisp; the cheerfulness lives in the articulation and forward motion, not in slowing down for clarity.
  • Balance the optional glockenspiel so it sparkles without overwhelming the choir; it's an accent, not the main event.
  • Use the recorded accompaniment to lock in the groove, especially during the section transitions between unison and two-part singing.
  • Mark the two-part sections clearly in rehearsal so singers know exactly where they carry their own line and where the choir unifies.

How to use it

Place this early or mid-concert when audiences need an immediate lift in mood. It pairs well alongside more contemplative holiday pieces, providing contrast and keeping concerts from feeling heavy. The straightforward arrangement and optional glockenspiel make it equally effective at informal performances, holiday assemblies, and formal concerts.

Skills your students will build

  • Transitioning between unison and two-part singing
  • Maintaining independent vocal lines while blending with others
  • Singing with crisp diction and rhythmic precision at a fast tempo
  • Responding to dynamic and tempo cues for expressive effect

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